Description

Book Synopsis
The third century CE—the Jian’an era or Three Kingdoms—holds double significance for the Chinese cultural tradition. Its writings laid the foundation of classical poetry and literary criticism. Its historical personages and events also inspired works of art throughout Chinese history. Xiaofei Tian examines the interface of these two nostalgias.

Trade Review
A persuasive and well-written claim about history. By offering a plausible historical reconstruction on how colligations can shape representations and social attitudes, [Tian] makes us reflect more carefully on the relation between imagination and knowledge, and on the different tools people have to make claims about the past. -- Pablo Blitstein * Journal of the American Oriental Society *
The book is a triumph of scholarship, both enjoyable and instructive to read. It will interest sinologists specializing in various disciplines and periods and should also interest scholars of traditional Europe who have a comparative bent, as well as anyone engaged by the question of how literary texts and historical figures regenerate their influence and power over time. -- Paul Kroll, Professor Emeritus of Chinese, University of Colorado, Boulder

The Halberd at Red Cliff

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    Order before 4pm today for delivery by Fri 7 Aug 2026.

    A Hardback by Xiaofei Tian

    7 in stock

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      View other formats and editions of The Halberd at Red Cliff by Xiaofei Tian

      Publisher: Harvard University, Asia Center
      Publication Date: Publication Date: 04/06/2018
      ISBN13: 9780674977037, 978-0674977037
      ISBN10: 0674977033

      Description

      Book Synopsis
      The third century CE—the Jian’an era or Three Kingdoms—holds double significance for the Chinese cultural tradition. Its writings laid the foundation of classical poetry and literary criticism. Its historical personages and events also inspired works of art throughout Chinese history. Xiaofei Tian examines the interface of these two nostalgias.

      Trade Review
      A persuasive and well-written claim about history. By offering a plausible historical reconstruction on how colligations can shape representations and social attitudes, [Tian] makes us reflect more carefully on the relation between imagination and knowledge, and on the different tools people have to make claims about the past. -- Pablo Blitstein * Journal of the American Oriental Society *
      The book is a triumph of scholarship, both enjoyable and instructive to read. It will interest sinologists specializing in various disciplines and periods and should also interest scholars of traditional Europe who have a comparative bent, as well as anyone engaged by the question of how literary texts and historical figures regenerate their influence and power over time. -- Paul Kroll, Professor Emeritus of Chinese, University of Colorado, Boulder

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