Description

Book Synopsis

In The Haitian Revolution, the Harlem Renaissance, and Caribbean Negritude: Overlapping Discourses of Freedom and Identity, Tammie Jenkins argues that the ideas of freedom and identity cultivated during the Haitian Revolution were reinvigorated in Harlem Renaissance texts and were instrumental in the development of Caribbean Negritude. Jenkins analyzes the precipitating events that contributed to the Haitian Revolution and connects them to Harlem Renaissance publications by Eric D. Walrond and Joel Augustus “J.A.” Rogers. Jenkins traces these movements to Paris where black American expatriates, Harlem Renaissance members, and Francophones from Africa and the Caribbean met once a week at Le Salon Clamart to share their lived experiences with racism, oppression, and disenfranchisement in their home countries. Using these dialogical exchanges, Jenkins investigates how the Haitian Revolution and Harlem Renaissance tenets influence the modernization of Caribbean Negritude's development.



Trade Review

Jenkins makes a remarkably ambitious attempt to connect three disparate historical, cultural, and literary movements spanning three centuries, beginning with the start of the Haitian Revolution (1791) and circling back to what she labels "Caribbean négritude" in the 20th century. Examining obscure and often-ignored texts, she identifies similarities of racial identity that loosely link these independent movements. For Jenkins, the culture, values, and heritage of a Black consciousness remain consistent across the African diaspora. The first chapter posits her thesis, the next three meticulously examine the cultural and artistic expressions of each literary movement, and the last valiantly ties together the threads that create a unified narrative of freedom and identity. This work's value is its in-depth analyses of primary texts that enlighten each cultural and artistic period and in the global definition of the "New Negro," a social and cultural identify that overlaps the three distinctive periods…. For novice students of cultural history, this book provides a basis to explore Black identity and cultural expressions in diaspora… Recommended. Undergraduates and graduate students.

* Choice Reviews *

Table of Contents

Chapter One: Sankofa: Looking Back to Move Forward

Chapter Two: Haiti’s Revolution: A Study in Race, Equality, and Citizenship

Chapter Three: New Negroes and Harlemites’ Rebirth a Revolution

Chapter Four: Birthing Caribbean Negritude from a Renaissance in Harlem

Chapter Five: End with the Beginning

The Haitian Revolution, the Harlem Renaissance,

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    A Paperback / softback by Tammie Jenkins

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      View other formats and editions of The Haitian Revolution, the Harlem Renaissance, by Tammie Jenkins

      Publisher: Lexington Books
      Publication Date: 15/05/2023
      ISBN13: 9781793633804, 978-1793633804
      ISBN10: 1793633800

      Description

      Book Synopsis

      In The Haitian Revolution, the Harlem Renaissance, and Caribbean Negritude: Overlapping Discourses of Freedom and Identity, Tammie Jenkins argues that the ideas of freedom and identity cultivated during the Haitian Revolution were reinvigorated in Harlem Renaissance texts and were instrumental in the development of Caribbean Negritude. Jenkins analyzes the precipitating events that contributed to the Haitian Revolution and connects them to Harlem Renaissance publications by Eric D. Walrond and Joel Augustus “J.A.” Rogers. Jenkins traces these movements to Paris where black American expatriates, Harlem Renaissance members, and Francophones from Africa and the Caribbean met once a week at Le Salon Clamart to share their lived experiences with racism, oppression, and disenfranchisement in their home countries. Using these dialogical exchanges, Jenkins investigates how the Haitian Revolution and Harlem Renaissance tenets influence the modernization of Caribbean Negritude's development.



      Trade Review

      Jenkins makes a remarkably ambitious attempt to connect three disparate historical, cultural, and literary movements spanning three centuries, beginning with the start of the Haitian Revolution (1791) and circling back to what she labels "Caribbean négritude" in the 20th century. Examining obscure and often-ignored texts, she identifies similarities of racial identity that loosely link these independent movements. For Jenkins, the culture, values, and heritage of a Black consciousness remain consistent across the African diaspora. The first chapter posits her thesis, the next three meticulously examine the cultural and artistic expressions of each literary movement, and the last valiantly ties together the threads that create a unified narrative of freedom and identity. This work's value is its in-depth analyses of primary texts that enlighten each cultural and artistic period and in the global definition of the "New Negro," a social and cultural identify that overlaps the three distinctive periods…. For novice students of cultural history, this book provides a basis to explore Black identity and cultural expressions in diaspora… Recommended. Undergraduates and graduate students.

      * Choice Reviews *

      Table of Contents

      Chapter One: Sankofa: Looking Back to Move Forward

      Chapter Two: Haiti’s Revolution: A Study in Race, Equality, and Citizenship

      Chapter Three: New Negroes and Harlemites’ Rebirth a Revolution

      Chapter Four: Birthing Caribbean Negritude from a Renaissance in Harlem

      Chapter Five: End with the Beginning

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