Description

Book Synopsis
Presents the history and development of the guitar as a jazz instrument. This volume traces the evolution of jazz guitar playing, from the pioneering styles of Nick Lucas and Eddie Lang through the innovations of such contemporary masters as Jim Hall and Ralph Towner.

Trade Review
"Guitarists have been making major contributions to jazz since the 1920s, when Eddie Lang first began adding his brand of six-string sophistication to performances by the Mound City Blowers. Yet the history of the jazz guitar has remained largely undocumented, at least in any methodical way. Now James Sallis has put together a long-overdue anthology which traces the evolution of jazz guitar as well as celebrating some of the instrument’s greatest players."—Jazz Times
"Probably the most comprehensive anthology of essays essential to a complete understanding of jazz guitar and its stylistic history. . . . Sallis’ exhaustive research is clearly edited and written, and I feel it’ll be the reference source for the jazz lover, guitarist and non-guitarist alike in the next few years."—Dennis Gonzalez, The New Jazz Review
"An unfailingly lively and informative collection of essays that traces the guitar’s evolution in the hands of jazz and jazz-influenced artists who have not only mastered the instrument, but repeatedly reinvented it."—Gary Giddins, author of Faces in the Crowd

The Guitar in Jazz An Anthology

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    A Hardback by James Sallis

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      Publisher: University of Nebraska Press
      Publication Date: 01/03/1996
      ISBN13: 9780803242500, 978-0803242500
      ISBN10: 0803242506

      Description

      Book Synopsis
      Presents the history and development of the guitar as a jazz instrument. This volume traces the evolution of jazz guitar playing, from the pioneering styles of Nick Lucas and Eddie Lang through the innovations of such contemporary masters as Jim Hall and Ralph Towner.

      Trade Review
      "Guitarists have been making major contributions to jazz since the 1920s, when Eddie Lang first began adding his brand of six-string sophistication to performances by the Mound City Blowers. Yet the history of the jazz guitar has remained largely undocumented, at least in any methodical way. Now James Sallis has put together a long-overdue anthology which traces the evolution of jazz guitar as well as celebrating some of the instrument’s greatest players."—Jazz Times
      "Probably the most comprehensive anthology of essays essential to a complete understanding of jazz guitar and its stylistic history. . . . Sallis’ exhaustive research is clearly edited and written, and I feel it’ll be the reference source for the jazz lover, guitarist and non-guitarist alike in the next few years."—Dennis Gonzalez, The New Jazz Review
      "An unfailingly lively and informative collection of essays that traces the guitar’s evolution in the hands of jazz and jazz-influenced artists who have not only mastered the instrument, but repeatedly reinvented it."—Gary Giddins, author of Faces in the Crowd

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