Description

Book Synopsis
A fascinating social history of the guitar, reasserting its long-forgotten importance in Romantic England

Trade Review
“It was puzzling that the guitar’s rich history during that period had been so largely neglected in scholarly research. Page’s new book not only fills this gap admirably...but also adds a novel dimension to the discussion of the guitar by investigating its multifaceted impact within the sociocultural and intellectual context of a revolutionary era...The Guitar in Georgian England will certainly inspire and shape future studies of the guitar.”—Panagiotis Poulopoulos, Galpin Society Journal

“Page touches on many factors that impact on the life story of a musical instrument, and presents a social and musical history that will be of interest and use to readers well beyond the sphere of musicology.”—Jenny Nex, Journal for Eighteenth-Century Studies

The Guitar in Georgian England

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    A Hardback by Christopher Page

    15 in stock

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      Publisher: Yale University Press
      Publication Date: 13/10/2020
      ISBN13: 9780300212471, 978-0300212471
      ISBN10: 030021247X
      Also in:
      Entertainment Music reviews and criticism History European history Social and cultural history

      Description

      Book Synopsis
      A fascinating social history of the guitar, reasserting its long-forgotten importance in Romantic England

      Trade Review
      “It was puzzling that the guitar’s rich history during that period had been so largely neglected in scholarly research. Page’s new book not only fills this gap admirably...but also adds a novel dimension to the discussion of the guitar by investigating its multifaceted impact within the sociocultural and intellectual context of a revolutionary era...The Guitar in Georgian England will certainly inspire and shape future studies of the guitar.”—Panagiotis Poulopoulos, Galpin Society Journal

      “Page touches on many factors that impact on the life story of a musical instrument, and presents a social and musical history that will be of interest and use to readers well beyond the sphere of musicology.”—Jenny Nex, Journal for Eighteenth-Century Studies

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