Description

Book Synopsis
A collection of essays on the creme de la creme of the silver screen, each one a model of critical appreciation and a blend of love and analysis that sends readers back to the films with a fresh set of eyes and renewed enthusiasm.

Trade Review
"Roger Ebert's take-no-prisoners essays packed with insidery insights will send movie lovers back to the sofa for a second look at old favorites like Cool Hand Luke and My Fair Lady while introducing more offbeat picks like Sansho the Bailiff and Pixote." (Parade) "Ebert offers informed critical appraisals, as well as background on the movie's making and significance, that make these pieces rewarding for film buffs and ideal introductions for first-time viewers." (Booklist) "No one has done as much as Ebert to connect the creators of movies with their consumers. He has immense power, and he's used it for good, as an apostle of the cinema." (Richard Corliss, Time)"

The Great Movies III

    Product form

    A Paperback / softback by Roger Ebert

    £999.99

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      Book details

      Published 30 October 2011
      ISBN-13 9780226182094
      978-0226182094
      ISBN-10 0226182096

      Description

      Book Synopsis
      A collection of essays on the creme de la creme of the silver screen, each one a model of critical appreciation and a blend of love and analysis that sends readers back to the films with a fresh set of eyes and renewed enthusiasm.

      Trade Review
      "Roger Ebert's take-no-prisoners essays packed with insidery insights will send movie lovers back to the sofa for a second look at old favorites like Cool Hand Luke and My Fair Lady while introducing more offbeat picks like Sansho the Bailiff and Pixote." (Parade) "Ebert offers informed critical appraisals, as well as background on the movie's making and significance, that make these pieces rewarding for film buffs and ideal introductions for first-time viewers." (Booklist) "No one has done as much as Ebert to connect the creators of movies with their consumers. He has immense power, and he's used it for good, as an apostle of the cinema." (Richard Corliss, Time)"

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