Description

Book Synopsis
The celebrated Great Mosque of Damascus was built in the early eighth century by the Umayyad caliph al-Walīd b. ‘Abd al-Malik. This book provides a detailed study of this Mosque. Using textual, visual, and archaeological evidence, the author attempts to reconstruct some of the basic formal and decorative features of the Umayyad mosque, to locate it within its broader urban context, and to consider its role within al-Walīd's unprecedented programme of architectural patronage. The work explores the intracultural and intercultural functions of religious architecture within an official visual discourse intended to project a distinctive Muslim identity in a manner determined by Umayyad political aspirations. It will be of particular interest to those concerned with the relationship between the Umayyad caliphate and Byzantium.

Trade Review
'...a compelling account...a book that will be read with profit by all those concerned with the material culture of the Early Islamic and Byzantine worlds.’ Marcus Milwright, Journal of Islamic Studies. '...this is a superbly informed, enthusiastically written, imaginatively crafted book for the historian of art or culture.' Oleg Grabar, JSAH, 2001.

The Great Mosque of Damascus: Studies on the Makings of an Umayyad Visual Culture

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    A Hardback by Finbarr Flood

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      View other formats and editions of The Great Mosque of Damascus: Studies on the Makings of an Umayyad Visual Culture by Finbarr Flood

      Publisher: Brill
      Publication Date: 26/10/2000
      ISBN13: 9789004116382, 978-9004116382
      ISBN10:

      Description

      Book Synopsis
      The celebrated Great Mosque of Damascus was built in the early eighth century by the Umayyad caliph al-Walīd b. ‘Abd al-Malik. This book provides a detailed study of this Mosque. Using textual, visual, and archaeological evidence, the author attempts to reconstruct some of the basic formal and decorative features of the Umayyad mosque, to locate it within its broader urban context, and to consider its role within al-Walīd's unprecedented programme of architectural patronage. The work explores the intracultural and intercultural functions of religious architecture within an official visual discourse intended to project a distinctive Muslim identity in a manner determined by Umayyad political aspirations. It will be of particular interest to those concerned with the relationship between the Umayyad caliphate and Byzantium.

      Trade Review
      '...a compelling account...a book that will be read with profit by all those concerned with the material culture of the Early Islamic and Byzantine worlds.’ Marcus Milwright, Journal of Islamic Studies. '...this is a superbly informed, enthusiastically written, imaginatively crafted book for the historian of art or culture.' Oleg Grabar, JSAH, 2001.

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