Description
Book SynopsisThe Gothic Literature and History of New England surveys the history, nature and future of the Gothic mode in the region, from the witch trials through the Black Lives Matter Movement. Texts include Cotton Mather and other Puritan divines who collected folklore of the supernatural; the Frontier Gothic of Indian captivity narratives; the canonical authors of the American Renaissance such as Melville and Hawthorne; the women's ghost story tradition and the Domestic Gothic from Harriet Beecher Stowe to Charlotte Perkins Gilman to Shirley Jackson; H. P. Lovecraft; Stephen King; and writers of the current generation who respond to racial and gender issues. The work brings to the surface the religious intolerance, racism and misogyny inherent in the New England Gothic, and how these nightmares continue to haunt literature and popular culture—films, television and more.
Trade Review“Faye Ringel’s latest book, The Gothic Literature and History of New England, is a treasure trove of horrors, charting the region’s history of religious fanaticism, racial intolerance, and ritualised violence, and its legacy in fiction and film from the Puritans to the present day. Scholars and fans of the genre will return again and again to Ringel’s meticulously researched volume for recommended reading material, inspiration, and insight.” — Dr Dara Downey, Trinity College Dublin, Ireland
“A dark compendium of New England’s literary art from the Puritans to Joe Citro and Stephen King, Faye Ringel is our knowledgeable guide through the woods, mansions, towns, and haunted history of where and how the Gothic established its primary and deepest roots in America.” — Tony Magistrale, University of Vermont, US
“In The Gothic Literature and History of New England: Secrets of the Restless Dead, Faye Ringel shows us, through a resolutely 21st-century lens, that what haunts the house of the New England Gothic is not just a carnival of ghosts and eccentrics, but colonialism and enslavement. Within this brutal history, she situates writers both familiar (Poe, Lovecraft, Jackson, King) and less so (John Neal, Elizabeth Stuart Phelps), enabling us to see them all in a fuller light. Of particular note is her deeply informed coverage of contemporary writers who not only continue but also interrogate the traditions of the Gothic and the legacies of New England. This is a wonderful book, and a necessary one.”—F. Brett Cox, Norwich University, US.
Table of ContentsAcknowledgments; Chronology; Introduction; 1. Gothic Origins; 2. The Puritans’ Haunted Frontier; 3. Haunting the Master’s House; 4. Beyond Lovecraft Country: Racism, Xenophobia, New Directions; Works Cited; Index.
