Description

Some of the most prominent folk singers of the twentieth century, including Woody Guthrie, ‘Sis Cunningham, Pete Seeger, Lee Hays, Burl Ives, etc., were also political activists with various associations with the American Communist Party. As a consequence, the FBI, along with other governmental and right-wing organizations, were monitoring them, keeping meticulous files running many thousands of pages, and making (and carrying out) plans to purge them from the cultural realm. In The Folk Singers and the Bureau, Aaron J Leonard draws on an unprecedented array of declassified documents and never before released files to shed light on the interplay between left-wing folk artists and their relationship with the American Communist Party, and how it put them in the US government’s repressive cross hairs. At a time of increasing state surveillance and repression, The Folk Singers and the Bureau shows how the FBI and other governmental agencies have attempted to shape and repress American culture.

The Folk Singers and the Bureau: The Fbi, the Folk Artists and the Suppression of the Communist Party, Usa-1939-1956

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Paperback / softback by Aaron Leonard

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Short Description:

Some of the most prominent folk singers of the twentieth century, including Woody Guthrie, ‘Sis Cunningham, Pete Seeger, Lee Hays,... Read more

    Publisher: Watkins Media Limited
    Publication Date: 08/09/2020
    ISBN13: 9781913462000, 978-1913462000
    ISBN10: 1913462005

    Number of Pages: 328

    Non Fiction , History

    Description

    Some of the most prominent folk singers of the twentieth century, including Woody Guthrie, ‘Sis Cunningham, Pete Seeger, Lee Hays, Burl Ives, etc., were also political activists with various associations with the American Communist Party. As a consequence, the FBI, along with other governmental and right-wing organizations, were monitoring them, keeping meticulous files running many thousands of pages, and making (and carrying out) plans to purge them from the cultural realm. In The Folk Singers and the Bureau, Aaron J Leonard draws on an unprecedented array of declassified documents and never before released files to shed light on the interplay between left-wing folk artists and their relationship with the American Communist Party, and how it put them in the US government’s repressive cross hairs. At a time of increasing state surveillance and repression, The Folk Singers and the Bureau shows how the FBI and other governmental agencies have attempted to shape and repress American culture.

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