Description

Book Synopsis


Trade Review

The co-authors amply demonstrate that there's much to appreciate about the Flaherty history, 55 years of discovering and celebrating independent cinema and independent filmmakers from around the world.

* ArtsFuse *

Thoroughly readable . . . [Readers] will be impressed by the history and inspired by the possibilities as yet unknown in the world of independent film, as seen through the lens of The Flaherty Way.

* Documentary Magazine *

This would seem like mere lore, were it not for the contribution of The Flaherty, Scott MacDonald and Patricia Zimmermann's new volume on the history of this singular institution that has indelibly shaped independent and documentary filmmaking, as well as its critical reception, both in the United States and internationally.

* Film Quarterly *

Table of Contents

Acknowledgments
Introduction
Patricia Zimmermann: Imagining a History of the Flaherty Seminar
Scott MacDonald: The Logistics of Transcribing and Editing Flaherty Discussions

1. The Flaherty Way
1959 Francis Flaherty—opening remarks at the Seminar

2. A Seminar, 1955-1959
1958 Robert Gardner with John Marshall—on The Hunters (1957)

3. An Organization, 1960-1969
1963 Francis Flaherty—on Nanook of the North (1922) and Moana (1926)
1967 Fred Wiseman—on Titicut Follies (1967)
1968 Willard Van Dyke—opening remarks at the Seminar
1968 Jim McBride and L. M. Kit Carson—on David Holzman's Diary (1967)
1969 Michael Snow—on Wavelength (1967)

4. Politics, Cultural and Formal, 1970-1980
1970 Hollis Frampton—on Zorns Lemma (1970)
1970 Erik Barnouw, Paul Ronder, and Barbara Van Dyke—on Hiroshima-Nagasaki, August 1945 (1970)
1977 Barbara Kopple and Hart Perry—on Harlan County USA (1976)

5. Shock of the New, 1981-1989
1981 Ed Pincus—on Diaries (1971-1976) (c. 1980)
1983 Trinh T. Minh-ha—on Reassemblage (1982)
1984 Bruce Conner—on Ten Second Film (1965), Permian Strata (1969), Mongoloid (1978), and America Is Waiting (1981)
1987 Peter Watkins and others—on The Journey (1987)
1987 Su Friedrich—on Damned If You Don't (1987)

6. Crises, 1990-1999
1990 Marlon Riggs—on Tongues Untied (1989)
1991 William Greaves—on Symbiopsychotaxiplasm: Take One (1972)
1992 Ken Jacobs—on XCXHXEXRXRXIXEXSX (many performances after 1980)
1992 Kazuo Hara—on Extreme Private Eros (1974)
1994 Nick DeoCampo—on Revolutions Happen Like Refrains in a Song (1987), Memories of Old Manila (1993), and Isaak (1993)
1994 Mani Kaul—on Uski Roti ("A Day's Bread," 1969) and Dhrupad (1982)
1995 Craig Baldwin—on Sonic Outlaws (1995)

7. The Brand, 2000-2015
2000 Sergey Dvortsevoy—on Paradise (1995); Vicky Funari—on Paulina (1998)
2008 Bahman Ghobadi—on Life in Fog (1997), A Time for Drunken Horses (2000), and Half Moon (2006)
2013 Eyal Sivan—on The Specialist (1999)
2015 Mounira Al Soth—on Rawane's Song (2006); Marie-Hélène Cousineau—on Before Tomorrow (2008, co-made with Madeline Ivalu); Hassan Khan—on Fuck This Film (1998)
2015 Tariq Teguia—on La Clôture ("The Fence," 2002), Inland (2008), and Révolution Zanj (2012)
2016 Luke Fowler—On To the Editor of Amateur Photographer (2014, comade with Mark Fell), and Luis Ospina—On Aggarabdo pueblo (Vampires of Poverty, 1978, comade with Carlos Mayolo)

Index

The Flaherty

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    £999.99

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    A Hardback by Patricia R. Zimmermann, Scott MacDonald

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      Publisher: Indiana University Press
      Publication Date: 15/05/2017
      ISBN13: 9780253026248, 978-0253026248
      ISBN10: 0253026245

      Description

      Book Synopsis


      Trade Review

      The co-authors amply demonstrate that there's much to appreciate about the Flaherty history, 55 years of discovering and celebrating independent cinema and independent filmmakers from around the world.

      * ArtsFuse *

      Thoroughly readable . . . [Readers] will be impressed by the history and inspired by the possibilities as yet unknown in the world of independent film, as seen through the lens of The Flaherty Way.

      * Documentary Magazine *

      This would seem like mere lore, were it not for the contribution of The Flaherty, Scott MacDonald and Patricia Zimmermann's new volume on the history of this singular institution that has indelibly shaped independent and documentary filmmaking, as well as its critical reception, both in the United States and internationally.

      * Film Quarterly *

      Table of Contents

      Acknowledgments
      Introduction
      Patricia Zimmermann: Imagining a History of the Flaherty Seminar
      Scott MacDonald: The Logistics of Transcribing and Editing Flaherty Discussions

      1. The Flaherty Way
      1959 Francis Flaherty—opening remarks at the Seminar

      2. A Seminar, 1955-1959
      1958 Robert Gardner with John Marshall—on The Hunters (1957)

      3. An Organization, 1960-1969
      1963 Francis Flaherty—on Nanook of the North (1922) and Moana (1926)
      1967 Fred Wiseman—on Titicut Follies (1967)
      1968 Willard Van Dyke—opening remarks at the Seminar
      1968 Jim McBride and L. M. Kit Carson—on David Holzman's Diary (1967)
      1969 Michael Snow—on Wavelength (1967)

      4. Politics, Cultural and Formal, 1970-1980
      1970 Hollis Frampton—on Zorns Lemma (1970)
      1970 Erik Barnouw, Paul Ronder, and Barbara Van Dyke—on Hiroshima-Nagasaki, August 1945 (1970)
      1977 Barbara Kopple and Hart Perry—on Harlan County USA (1976)

      5. Shock of the New, 1981-1989
      1981 Ed Pincus—on Diaries (1971-1976) (c. 1980)
      1983 Trinh T. Minh-ha—on Reassemblage (1982)
      1984 Bruce Conner—on Ten Second Film (1965), Permian Strata (1969), Mongoloid (1978), and America Is Waiting (1981)
      1987 Peter Watkins and others—on The Journey (1987)
      1987 Su Friedrich—on Damned If You Don't (1987)

      6. Crises, 1990-1999
      1990 Marlon Riggs—on Tongues Untied (1989)
      1991 William Greaves—on Symbiopsychotaxiplasm: Take One (1972)
      1992 Ken Jacobs—on XCXHXEXRXRXIXEXSX (many performances after 1980)
      1992 Kazuo Hara—on Extreme Private Eros (1974)
      1994 Nick DeoCampo—on Revolutions Happen Like Refrains in a Song (1987), Memories of Old Manila (1993), and Isaak (1993)
      1994 Mani Kaul—on Uski Roti ("A Day's Bread," 1969) and Dhrupad (1982)
      1995 Craig Baldwin—on Sonic Outlaws (1995)

      7. The Brand, 2000-2015
      2000 Sergey Dvortsevoy—on Paradise (1995); Vicky Funari—on Paulina (1998)
      2008 Bahman Ghobadi—on Life in Fog (1997), A Time for Drunken Horses (2000), and Half Moon (2006)
      2013 Eyal Sivan—on The Specialist (1999)
      2015 Mounira Al Soth—on Rawane's Song (2006); Marie-Hélène Cousineau—on Before Tomorrow (2008, co-made with Madeline Ivalu); Hassan Khan—on Fuck This Film (1998)
      2015 Tariq Teguia—on La Clôture ("The Fence," 2002), Inland (2008), and Révolution Zanj (2012)
      2016 Luke Fowler—On To the Editor of Amateur Photographer (2014, comade with Mark Fell), and Luis Ospina—On Aggarabdo pueblo (Vampires of Poverty, 1978, comade with Carlos Mayolo)

      Index

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