Description
Book SynopsisThree Plays for the Negro Theater by Ridgely Torrence was the first production on Broadway to feature an all black cast. Despite early critical acclaim the show closed within a month and received little attention thereafter. Curtis explores both the progress of race relations that led to this production and the reasons for its quick demise.
Trade ReviewCurtis has made a major contribution to our understanding of theater history.... The resulting text is an excellent example of how history, theater, and cultural studies can be brought together to offer a fascinating story of people whose contribution is now being given the credit it deserves. - Library Journal ""This is a stylishly written, popularly accessible, and deeply thoughtful study of an important episode in the cultural history of the United States."" - David Roediger ""An invaluable cultural resource to those curious about the rise of blacks on the Broadway stage."" - Black Issues Book Review ""This is an important study, not only of blacks in U.S. drama, but of the complex cross-cultural collaborations and racial politics behind one of the most important theater events of the early 20th century: the April 5, 1917, Broadway opening of three one-act plays by the American playwright Ridgely Torrence, with an all-black cast.... Highly recommended."" - Choice
