Description

Book Synopsis
Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative. This critical study engages with the films of the Danish director Nicolas Winding Refn, from his first feature Pusher (1996) up to and including Copenhagen Cowboy (2023), Refn's TV series for Netflix, considered here as a long-form, auteur work comparable to David Lynch's mini-series Twin Peaks: The Return (2017). By focusing on the treatment of genre, gender and glamour in Refn's work, Sweeney argues that the director is often misunderstood as a purveyor of macho' films when, in fact, his representations of masculinity are much more complex and layered. 'Drawing on a range of critical theory, most prominently the work of Paul B Preciado, and building on the existing criticism of Refn's work by Justin Vicari, Susanne Kappesser and Sofia Glasl, among others, this book provides a comprehensive and accessible analysis of Refn's oeuvre.

The Films of Nicolas Winding Refn

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    A Hardback by David Sweeney

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      View other formats and editions of The Films of Nicolas Winding Refn by David Sweeney

      Publisher: Liverpool University Press
      Publication Date: 05/03/2024
      ISBN13: 9781802074581, 978-1802074581
      ISBN10: 1802074589

      Description

      Book Synopsis
      Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative. This critical study engages with the films of the Danish director Nicolas Winding Refn, from his first feature Pusher (1996) up to and including Copenhagen Cowboy (2023), Refn's TV series for Netflix, considered here as a long-form, auteur work comparable to David Lynch's mini-series Twin Peaks: The Return (2017). By focusing on the treatment of genre, gender and glamour in Refn's work, Sweeney argues that the director is often misunderstood as a purveyor of macho' films when, in fact, his representations of masculinity are much more complex and layered. 'Drawing on a range of critical theory, most prominently the work of Paul B Preciado, and building on the existing criticism of Refn's work by Justin Vicari, Susanne Kappesser and Sofia Glasl, among others, this book provides a comprehensive and accessible analysis of Refn's oeuvre.

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