Description

Book Synopsis

Delving into Apichatpong Weerasethakul’s films, this book uncovers a plethora of conceptual paradigms. Apichatpong's films frequently utilize rural Thailand as a backdrop, showcasing daily life, interactions, rituals, and customs, all infused with a Southeast Asian essence. This utilization of local imagery provides a national quality to his works, allowing a global audience to explore both urban and rural aspects of Thai society, along with discourses on history, culture, politics, and practices. Beyond the surface, the films also address universal and intricate themes, transcending cultural boundaries. The book delves into a range of lesser-explored aspects regarding the films and filmmaking of Apichatpong, developing fresh perspectives on the representation of nonhumans, hybrid forms, transmedia plot, technique, production among others. With meticulous analyses of his key works this interdisciplinary study unveils the threads that bind Apichatpong’s creative practice, innovative techniques, and philosophical insights. An essential read for cinephiles, scholars, and seekers of cinematic depth, this book uncovers the vibrant tapestry of meaning within Apichatpong’s enigmatic film-worlds.



Table of Contents

Acknowledgements

Introduction Open Cinema: The Films and Installations of Apichatpong Weerasethakul

Anik Sarkar and Jayjit Sarkar

Time

1.Time, Social Reproduction and the Precarious Body in the Films of Apichatpong Weerasethakul

Patricia Sequeira Brás

2.Representing Memory through Slowness: the Time-Images of Apichatpong Weerasethakul’s Syndromes and a Century and Cemetery of Splendour

Francesco Quario

Non-human

3.Stray Dogs and Strange Beasts: Apichatpong Weerasethakul’s Queer Animal Ethics

Duncan Caillard

4.Imagining the Nonhuman in the cinema of Apichatpong Weerasethakul

Çağatay Emre Doğan

Mind

5.The Stillness Wandering Within: Notes on the Caesura of the Cinematic Image in Apichatpong Weerasethakul’s Primitive Project

Elizabeth Sikes

6.Dreams, Abstractions and Spectatorship in Apichatpong Weerasethakul’s Films and Videos

Alessandro Ferraro

7.EFFULGENCES Particles in Motion: Cycling the Mindscapes of Apichatpong Weerasethakul

Jeffner Allen

Forms and Representations

8.Transmedia Plot in Apichatpong Weerasethakul’s Primitive

Jade de Cock de Rameyen

9.Home Away From Home: Apichatpong Weerasethakul’s Filmed Images of Home and Homeland Envisioned

Palita Chunsaengchan

10.Between an Erased Past and an Uncertain Future: Hybrid Forms in the Films of Apichatpong Weerasethakul

Sivaranjini

11.Post-Interstitial Authorship in Apichatpong Weerasethakul’s Cinema

Anchalee Chaiworaporn

Note on the Contributors

Index

The Films of Apichatpong Weerasethakul

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    A Hardback by Anik Sarkar, Jayjit Sarkar

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      View other formats and editions of The Films of Apichatpong Weerasethakul by Anik Sarkar

      Publisher: Liverpool University Press
      Publication Date: 02/02/2024
      ISBN13: 9781837645138, 978-1837645138
      ISBN10: 1837645132

      Description

      Book Synopsis

      Delving into Apichatpong Weerasethakul’s films, this book uncovers a plethora of conceptual paradigms. Apichatpong's films frequently utilize rural Thailand as a backdrop, showcasing daily life, interactions, rituals, and customs, all infused with a Southeast Asian essence. This utilization of local imagery provides a national quality to his works, allowing a global audience to explore both urban and rural aspects of Thai society, along with discourses on history, culture, politics, and practices. Beyond the surface, the films also address universal and intricate themes, transcending cultural boundaries. The book delves into a range of lesser-explored aspects regarding the films and filmmaking of Apichatpong, developing fresh perspectives on the representation of nonhumans, hybrid forms, transmedia plot, technique, production among others. With meticulous analyses of his key works this interdisciplinary study unveils the threads that bind Apichatpong’s creative practice, innovative techniques, and philosophical insights. An essential read for cinephiles, scholars, and seekers of cinematic depth, this book uncovers the vibrant tapestry of meaning within Apichatpong’s enigmatic film-worlds.



      Table of Contents

      Acknowledgements

      Introduction Open Cinema: The Films and Installations of Apichatpong Weerasethakul

      Anik Sarkar and Jayjit Sarkar

      Time

      1.Time, Social Reproduction and the Precarious Body in the Films of Apichatpong Weerasethakul

      Patricia Sequeira Brás

      2.Representing Memory through Slowness: the Time-Images of Apichatpong Weerasethakul’s Syndromes and a Century and Cemetery of Splendour

      Francesco Quario

      Non-human

      3.Stray Dogs and Strange Beasts: Apichatpong Weerasethakul’s Queer Animal Ethics

      Duncan Caillard

      4.Imagining the Nonhuman in the cinema of Apichatpong Weerasethakul

      Çağatay Emre Doğan

      Mind

      5.The Stillness Wandering Within: Notes on the Caesura of the Cinematic Image in Apichatpong Weerasethakul’s Primitive Project

      Elizabeth Sikes

      6.Dreams, Abstractions and Spectatorship in Apichatpong Weerasethakul’s Films and Videos

      Alessandro Ferraro

      7.EFFULGENCES Particles in Motion: Cycling the Mindscapes of Apichatpong Weerasethakul

      Jeffner Allen

      Forms and Representations

      8.Transmedia Plot in Apichatpong Weerasethakul’s Primitive

      Jade de Cock de Rameyen

      9.Home Away From Home: Apichatpong Weerasethakul’s Filmed Images of Home and Homeland Envisioned

      Palita Chunsaengchan

      10.Between an Erased Past and an Uncertain Future: Hybrid Forms in the Films of Apichatpong Weerasethakul

      Sivaranjini

      11.Post-Interstitial Authorship in Apichatpong Weerasethakul’s Cinema

      Anchalee Chaiworaporn

      Note on the Contributors

      Index

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