Description

Book Synopsis

Every musician is an athlete. Athletes hone their bodies, coordinate their reflexes, and train their minds seeking to perfect a balance of strength, skills, and agility. Complicated, demanding, and repetitious movements often result in unnatural and difficult positions which put the instrumentalist at risk of injury. However, when movement and task are coordinated well and freely, the athlete-instrumentalist finds themselves in “the zone” or “the flow,” a magical place where art and athleticism meet.

The Feldenkrais Method is a movement-based self-discovery process: its aim is an individual organized to perform with minimum effort and maximum efficiency, thus reducing the chance of injury and even helping speed up recovery time from an injury. The movements used in this method are simple, gentle, pleasant, exploratory, and fun and are usually repeated a number of times to clarify and enhance performance. The focus is always on the “how to” of the movement, not the “how much, how fast, or how hard.” Samuel H. Nelson and Elizabeth Blades provide a guide to the Feldenkrais Method tailored specifically for instrumentalists. The book includes many Awareness Through Movement activities and case studies / examples specific to different instrument types.



Table of Contents

Title Page

Acknowledgements

Online Supplement

  1. Overview
  2. Self Image and Kinesthetic Imagination
  3. Physics of Easy Movement
  4. Neuroplasticity
  5. The Cost of Choice, Intention and, The Power of Habit
  6. The Base of Support
  7. Pelvic Power
  8. Breathing
  9. Upper Trunk Flexibility
  10. Shoulder Girdle and Arms
  11. Head and Neck
  12. Hands and Mouth
  13. The Eyes
  14. Bonus Lessons
  15. Perspectives from Instrumentalists
  16. Appendix A: Functional Integration
  17. Appendix B: ATM Lessons and Areas of Major Impact
  18. About the Authors

The Feldenkrais Method for Instrumentalists: A

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    Order before 4pm today for delivery by Wed 24 Jun 2026.

    A Hardback by Samuel H. Nelson, Elizabeth L. Blades

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      View other formats and editions of The Feldenkrais Method for Instrumentalists: A by Samuel H. Nelson

      Publisher: Rowman & Littlefield
      Publication Date: 11/01/2024
      ISBN13: 9781538182581, 978-1538182581
      ISBN10: 1538182580

      Description

      Book Synopsis

      Every musician is an athlete. Athletes hone their bodies, coordinate their reflexes, and train their minds seeking to perfect a balance of strength, skills, and agility. Complicated, demanding, and repetitious movements often result in unnatural and difficult positions which put the instrumentalist at risk of injury. However, when movement and task are coordinated well and freely, the athlete-instrumentalist finds themselves in “the zone” or “the flow,” a magical place where art and athleticism meet.

      The Feldenkrais Method is a movement-based self-discovery process: its aim is an individual organized to perform with minimum effort and maximum efficiency, thus reducing the chance of injury and even helping speed up recovery time from an injury. The movements used in this method are simple, gentle, pleasant, exploratory, and fun and are usually repeated a number of times to clarify and enhance performance. The focus is always on the “how to” of the movement, not the “how much, how fast, or how hard.” Samuel H. Nelson and Elizabeth Blades provide a guide to the Feldenkrais Method tailored specifically for instrumentalists. The book includes many Awareness Through Movement activities and case studies / examples specific to different instrument types.



      Table of Contents

      Title Page

      Acknowledgements

      Online Supplement

      1. Overview
      2. Self Image and Kinesthetic Imagination
      3. Physics of Easy Movement
      4. Neuroplasticity
      5. The Cost of Choice, Intention and, The Power of Habit
      6. The Base of Support
      7. Pelvic Power
      8. Breathing
      9. Upper Trunk Flexibility
      10. Shoulder Girdle and Arms
      11. Head and Neck
      12. Hands and Mouth
      13. The Eyes
      14. Bonus Lessons
      15. Perspectives from Instrumentalists
      16. Appendix A: Functional Integration
      17. Appendix B: ATM Lessons and Areas of Major Impact
      18. About the Authors

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