Description
Book SynopsisIn these reflections on the mercurial qualities of style in Ovid's Meta-morphoses, Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the
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Table of ContentsAcknowledgmentsAbbreviationsIntroduction3Ch. 1Glittering Trifles: Verbal Wit and Physical Transformation11Transgressive Language: Narcissus and Althea11Indecorous and Transformative Puns22Misunderstanding aura: Cephalus, Procris, and the Pun26Divinatory Wordplay: The Pun Overheard30Vox non intellecta: Irony and Metamorphic Wordplay (Myrrha)36Littera scripta manet - Or Does It? (Byblis)42Self-Cancelling and Self-Objectifying Witticisms52Wordplay, Personification, and Phantasia61True Imitation: Ceyx, Alcyone, and Morpheus72The House of Reception85Ch. 2The Ass's Shadow: Narrative Disruption and Its Consequences89Some Exemplary Interruptions89Daedalus and Perdix97Cyclopean Violence and Narrative Disruption105Some Scandalous Passages124Ch. 3Disruptive Traditions131Indecorous Possibilities: Callimachus's Hymn to Artemis and Ovidian Style131Elegiac Contributions: Propertius's Tarpeia and Ovid's Scylla143Epic Distortions: The Hecale in the Metamorphoses153Ch. 4Deeper Causes: Aetiology and Style167Aetiological Wordplay167Ovid's Little Aeneid177Aetiology and the Nature of Flux191Conclusion215App. AG. J. Vossius on Syllepsis oratoria217App. BSyllepsis and Zeugma219App. CFurther Examples of Syllepsis in Ovid221References223Index locorum231Index235