Description

Book Synopsis
The Experimental Plays of Harold Pinter offers a fresh approach to the plays of Nobel Prize laureate Harold Pinter. He is highlighted as an experimental playwright who attempted to free the theatre from the legacy of realism, causality, and motivation. His plays are read in relation to the avant-garde movements in the visual arts and music that flourished in the twentieth century. Scolnicov's new interdisciplinary perspective sets Pinter’s dramatic works against a background of the other arts and yields new insights into the themes and structure of the plays, underlining their evolving innovativeness. Such an approach has not been attempted to date, and Pinter’s plays are usually discussed in the context of their contemporary drama and theatre. This shift of interpretive focus requires a radical change in the acting technique called for by Pinter’s plays. The intermedial reading offered in the book also carries wider implications for the development of theatre studies. Twentieth-century dramatic criticism has lagged behind art criticism and has not been quick enough to develop adequate tools for the analysis of Pinter’s experiments with theatrical form. Scolnicov borrows from the ideas of different contemporary art movements, such as hyperrealism, surrealism, abstract expressionism, minimalism, conceptual art, and abstract art to better understand his work. Pinter also adapted techniques from music, film, and literature, constantly re-defining the limits of dramatic art and theatre in his plays.

Table of Contents
Preface Illustrations Chapter 1 After realism: The search for new forms Chapter 2 Hyperrealism: The Room, The Birthday Party Chapter 3 Experiments in minimalism: Night, Landscape, Silence Chapter 4 Ekphrasis in the theatre: Landscape and Silence Chapter 5 Variations on the romantic triangle: The Collection, The Lover Chapter 6 Geometrical permutations: Old Times, Betrayal Chapter 7 Abstract expressionism: One for the Road, Mountain Language, Party Time Chapter 8 Surrealism and memory: Old Times, A Kind of Alaska, Ashes to Ashes Conclusion Bibliography Index

The Experimental Plays of Harold Pinter

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    A Hardback by Hanna Scolnicov

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      View other formats and editions of The Experimental Plays of Harold Pinter by Hanna Scolnicov

      Publisher: Rowman & Littlefield
      Publication Date: 18/06/2012
      ISBN13: 9781611493504, 978-1611493504
      ISBN10: 1611493501

      Description

      Book Synopsis
      The Experimental Plays of Harold Pinter offers a fresh approach to the plays of Nobel Prize laureate Harold Pinter. He is highlighted as an experimental playwright who attempted to free the theatre from the legacy of realism, causality, and motivation. His plays are read in relation to the avant-garde movements in the visual arts and music that flourished in the twentieth century. Scolnicov's new interdisciplinary perspective sets Pinter’s dramatic works against a background of the other arts and yields new insights into the themes and structure of the plays, underlining their evolving innovativeness. Such an approach has not been attempted to date, and Pinter’s plays are usually discussed in the context of their contemporary drama and theatre. This shift of interpretive focus requires a radical change in the acting technique called for by Pinter’s plays. The intermedial reading offered in the book also carries wider implications for the development of theatre studies. Twentieth-century dramatic criticism has lagged behind art criticism and has not been quick enough to develop adequate tools for the analysis of Pinter’s experiments with theatrical form. Scolnicov borrows from the ideas of different contemporary art movements, such as hyperrealism, surrealism, abstract expressionism, minimalism, conceptual art, and abstract art to better understand his work. Pinter also adapted techniques from music, film, and literature, constantly re-defining the limits of dramatic art and theatre in his plays.

      Table of Contents
      Preface Illustrations Chapter 1 After realism: The search for new forms Chapter 2 Hyperrealism: The Room, The Birthday Party Chapter 3 Experiments in minimalism: Night, Landscape, Silence Chapter 4 Ekphrasis in the theatre: Landscape and Silence Chapter 5 Variations on the romantic triangle: The Collection, The Lover Chapter 6 Geometrical permutations: Old Times, Betrayal Chapter 7 Abstract expressionism: One for the Road, Mountain Language, Party Time Chapter 8 Surrealism and memory: Old Times, A Kind of Alaska, Ashes to Ashes Conclusion Bibliography Index

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