Description

Book Synopsis

Eastern European museums represent traumatic events of World War II, such as the Siege of Leningrad, the Warsaw Uprisings, and the Bombardment of Dresden, in ways that depict the enemy in particular ways. This image results from the interweaving of historical representations, cultural stereotypes and beliefs, political discourses, and the dynamics of exhibition narratives. This book presents a useful methodology for examining museum images and provides a critical analysis of the role historical museums play in the contemporary world. As the catastrophes of World War II still exert an enormous influence on the national identities of Russians, Poles, and Germans, museum exhibits can thus play an important role in this process.



Trade Review

“...the book highlights the fascinating issue of displaying war, and, through display, defining and exposing certain concepts of national and local identity. In that sense the volume is an important contribution to the growing literature on Central and East European museums in particular, and the issue of presentation of war in museums in general.” · Canadian Slavonic Papers

“The study contains a multitude of interesting details and observations pertaining to various regimes of collective memory, the specifics of national and local commemorations, and the inclusion of contested past into the fabric of museum exhibitions.” · Laboratorium: Russian Review of Social Research

“Certain key passages make very important and significant points about the depiction of the past in the recently ‘museified’ Eastern European countries. The focus on Dresden, Warsaw, and Leningrad/St. Petersburg works very well as each thematically driven case study complements each other and offers new ways of understanding images of the enemy in historicized museum depictions.” · Keir Reeves, Monash University



Table of Contents

List of Illustrations

Preface: Project's History
Zuzanna Bogumił

Acknowledgements
Zuzanna Bogumił

Introduction: The Enemy on Display

Chapter 1. Temple of Heroic Community: Soviet people, Leningraders and German-Fascists in the State Museum of the History of St Petersburg
Chapter 2. Temple of Romantic Martyrdom: Poles, Germans and Jews in the Historical Museum of Warsaw
Chapter 3. Forum Revising National Myths: Second World War in the Dresden City Museum

Conclusions

Appendix: Museum descriptions: The Second War World and City History

Notes on Contributors

The Enemy on Display: The Second World War in

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    A Paperback / softback by Zuzanna Bogumił, Joanna Wawrzyniak, Tim Buchen

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      View other formats and editions of The Enemy on Display: The Second World War in by Zuzanna Bogumił

      Publisher: Berghahn Books
      Publication Date: 26/01/2018
      ISBN13: 9781785337604, 978-1785337604
      ISBN10: 1785337602

      Description

      Book Synopsis

      Eastern European museums represent traumatic events of World War II, such as the Siege of Leningrad, the Warsaw Uprisings, and the Bombardment of Dresden, in ways that depict the enemy in particular ways. This image results from the interweaving of historical representations, cultural stereotypes and beliefs, political discourses, and the dynamics of exhibition narratives. This book presents a useful methodology for examining museum images and provides a critical analysis of the role historical museums play in the contemporary world. As the catastrophes of World War II still exert an enormous influence on the national identities of Russians, Poles, and Germans, museum exhibits can thus play an important role in this process.



      Trade Review

      “...the book highlights the fascinating issue of displaying war, and, through display, defining and exposing certain concepts of national and local identity. In that sense the volume is an important contribution to the growing literature on Central and East European museums in particular, and the issue of presentation of war in museums in general.” · Canadian Slavonic Papers

      “The study contains a multitude of interesting details and observations pertaining to various regimes of collective memory, the specifics of national and local commemorations, and the inclusion of contested past into the fabric of museum exhibitions.” · Laboratorium: Russian Review of Social Research

      “Certain key passages make very important and significant points about the depiction of the past in the recently ‘museified’ Eastern European countries. The focus on Dresden, Warsaw, and Leningrad/St. Petersburg works very well as each thematically driven case study complements each other and offers new ways of understanding images of the enemy in historicized museum depictions.” · Keir Reeves, Monash University



      Table of Contents

      List of Illustrations

      Preface: Project's History
      Zuzanna Bogumił

      Acknowledgements
      Zuzanna Bogumił

      Introduction: The Enemy on Display

      Chapter 1. Temple of Heroic Community: Soviet people, Leningraders and German-Fascists in the State Museum of the History of St Petersburg
      Chapter 2. Temple of Romantic Martyrdom: Poles, Germans and Jews in the Historical Museum of Warsaw
      Chapter 3. Forum Revising National Myths: Second World War in the Dresden City Museum

      Conclusions

      Appendix: Museum descriptions: The Second War World and City History

      Notes on Contributors

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