Description

Book Synopsis

Adapted from a series of four lectures, originally delivered as the first of the Granada Northern Lectures Peter Brook''s The Empty Space is an exploration of four aspects of theatre, ''Deadly, Holy, Rough and Immediate'', published in Penguin Modern Classics.

''I can take any empty space and call it a bare stage''

In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht''s revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional and fascinati

The Empty Space

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    A Paperback / softback by Peter Brook

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      Book details

      Publisher Penguin Random House Group
      Imprint Penguin Classics
      Published 31 January 2008
      ISBN-13 9780141189222
      978-0141189222
      ISBN-10 0141189223
      Also in:
      Biography Essays Entertainment Theatre studies

      Description

      Book Synopsis

      Adapted from a series of four lectures, originally delivered as the first of the Granada Northern Lectures Peter Brook''s The Empty Space is an exploration of four aspects of theatre, ''Deadly, Holy, Rough and Immediate'', published in Penguin Modern Classics.

      ''I can take any empty space and call it a bare stage''

      In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht''s revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional and fascinati

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