Description
Book SynopsisThe Elusive Celt departs from previous work in the wider ethnomusicological field about traditional Irish music within its home contexts and the English-speaking main destination countries of Irish emigration, by adding a central and eastern European perspective on perceptions of Irish musical culture and images of «the Celtic» Specific attention is given to influences of recent European history on these perceptions. Detailed ethnographies of community music-making contexts in six different countries from the Baltic to the Bosphorus, along both sides of the former Iron Curtain, introduce the reader to cultural intimacies of local community musicians with a long-term dedication to playing traditional Irish music. The emerging images differ widely from common stereotypes. The reader gains an insight into processes of how musical and extra-musical detail is communicated between local native Irish and non-Irish musicians at these locations, for which Rina was able to draw on her knowledge of different European languages.
Trade Review«As a traditional Irish musician I find Schiller’s book offers an original and unique insight into the Irish music session as it is played in Europe today.» (Bernadette Comac, traditional Irish Music Teacher)
«The popularity of Irish traditional music in Europe is in itself an interesting phenomenon, and particularly as it crosses the divide between East and West. Schiller’s book thereby offers an unusual and possibly unique perspective on the subject. It is good, at last, to see a book on this subject. Schiller has devoted her work to Irish music across the continent and guides us expertly.» (Martin Stokes, King Edward Professor of Music, King’s College London)
Table of ContentsContents: Genre, Style, and Instruments – What Is «Authenticity»? – Selecting Comparative Research Locations – The Irish Pub Session – Creating Meaning through Music at Different Locations: A Selection of Ethnographic Case Studies – The Elusive Celt.
