Description

Book Synopsis
Detailed analysis of the stage plays of South African playwright Athol Fugard.

Trade Review

Wertheim (Indiana Univ.) identifies South African playwright Athol Fugard as arguably the most distinguished living English—language playwright. Some of Fugard's best—known plays include The Blood Knot, Sizwe Bans Is Dead, A Lesson from Aloes, and Master Harold .. and the Boys, and Wertheim notes in his introduction that he has seen performances of almost all of Fugard's canon (the exceptions: No—Good Friday, Nongogo, and Dimetos). The subject of Fugard's plays is often the human toll [that] racism leaves in its wake, wherever it is practiced. According to Wertheim, one of the larger, existential truths of Fugard's plays is the capacity of humankind not only to endure but to transcend its tragic fate; Fugard's parabolic style enables him to provide a general insight open to many applications. Wertheim's study has two particular strengths (among many): its insight into the evolution of the playwright, especially the influence of Albert Camus, Bertolt Brecht, and Samuel Beckett on Fugard's canon, and its illumination of the symbolic props in the plays, e.g., the shoes and stockings in People Are Living There. An authoritative work superbly written, this book is well suited to upper—division undergraduates and above.

-- T. L. Jackson * Choice *

Wertheim's study has two particular strengths (among many): its insight into the evolution of the playwright, especially the influence of Albert Camus, Bertolt Brecht, and Samuel Beckett on Fugard's canon, and its illumination of the symbolic props in the plays, e.g., the shoes and stockings in People Are Living There. An authoritative work superbly written, this book is well suited to upper-division undergraduates and above.November 2001

* Choice *

Table of Contents

Introduction

1. Early Work and Early Themes
2. The Port Elizabeth Plays: The Voice with Which We Speak from the Heart
3. 'Acting' Against Apartheid
4. Dimetos: Fugard's First Problem Play
5. The Drama as Teaching and Learning: Trauerspiel, Tragedy, Hope and Race
6. The Other Problem Plays
7. Writing to Right: Scripting Apartheid's Demise
8. Where Do We, Where Do I, Go from Here?: Performing a New South Africa

Works Cited
Index

The Dramatic Art of Athol Fugard From South

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    A Paperback / softback by Albert Wertheim

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      View other formats and editions of The Dramatic Art of Athol Fugard From South by Albert Wertheim

      Publisher: Indiana University Press
      Publication Date: Publication Date: 28/09/2001
      ISBN13: 9780253215048, 978-0253215048
      ISBN10: 0253215048

      Description

      Book Synopsis
      Detailed analysis of the stage plays of South African playwright Athol Fugard.

      Trade Review

      Wertheim (Indiana Univ.) identifies South African playwright Athol Fugard as arguably the most distinguished living English—language playwright. Some of Fugard's best—known plays include The Blood Knot, Sizwe Bans Is Dead, A Lesson from Aloes, and Master Harold .. and the Boys, and Wertheim notes in his introduction that he has seen performances of almost all of Fugard's canon (the exceptions: No—Good Friday, Nongogo, and Dimetos). The subject of Fugard's plays is often the human toll [that] racism leaves in its wake, wherever it is practiced. According to Wertheim, one of the larger, existential truths of Fugard's plays is the capacity of humankind not only to endure but to transcend its tragic fate; Fugard's parabolic style enables him to provide a general insight open to many applications. Wertheim's study has two particular strengths (among many): its insight into the evolution of the playwright, especially the influence of Albert Camus, Bertolt Brecht, and Samuel Beckett on Fugard's canon, and its illumination of the symbolic props in the plays, e.g., the shoes and stockings in People Are Living There. An authoritative work superbly written, this book is well suited to upper—division undergraduates and above.

      -- T. L. Jackson * Choice *

      Wertheim's study has two particular strengths (among many): its insight into the evolution of the playwright, especially the influence of Albert Camus, Bertolt Brecht, and Samuel Beckett on Fugard's canon, and its illumination of the symbolic props in the plays, e.g., the shoes and stockings in People Are Living There. An authoritative work superbly written, this book is well suited to upper-division undergraduates and above.November 2001

      * Choice *

      Table of Contents

      Introduction

      1. Early Work and Early Themes
      2. The Port Elizabeth Plays: The Voice with Which We Speak from the Heart
      3. 'Acting' Against Apartheid
      4. Dimetos: Fugard's First Problem Play
      5. The Drama as Teaching and Learning: Trauerspiel, Tragedy, Hope and Race
      6. The Other Problem Plays
      7. Writing to Right: Scripting Apartheid's Demise
      8. Where Do We, Where Do I, Go from Here?: Performing a New South Africa

      Works Cited
      Index

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