Description

This book traces the trajectory of John J. McDermott’s philosophical career through a selection of his essays. Many were originally occasional pieces and address specific issues in American thought and culture. Together they constitute a mosaic of McDermott’s philosophy, showing its roots in an American conception of experience. Though he draws heavily on the thought of William James and the pragmatists, McDermott has his own unique perspective on philosophy and American life. He presents this to the reader in exquisitely crafted prose. Drawing inspiration from American history, from existentialist themes, and from personal experiences, he offers a dramatic consideration of our culture’s failures and successes.
McDermott crosses disciplinary boundaries to draw on whatever works to help make sense of the
issues with which he is dealing—issues rooted in medical practice, political events, pedagogical habits, and the worlds of the arts. His work thus resists simple categorization. It is precisely this that makes his vibrant prose appealing to so many both inside and outside the world of American philosophy.

The Drama of Possibility: Experience as Philosophy of Culture

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Paperback / softback by John J. McDermott , Douglas R. Anderson

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This book traces the trajectory of John J. McDermott’s philosophical career through a selection of his essays. Many were originally... Read more

    Publisher: Fordham University Press
    Publication Date: 15/06/2007
    ISBN13: 9780823226634, 978-0823226634
    ISBN10: 0823226638

    Number of Pages: 416

    Non Fiction , Politics, Philosophy & Society

    Description

    This book traces the trajectory of John J. McDermott’s philosophical career through a selection of his essays. Many were originally occasional pieces and address specific issues in American thought and culture. Together they constitute a mosaic of McDermott’s philosophy, showing its roots in an American conception of experience. Though he draws heavily on the thought of William James and the pragmatists, McDermott has his own unique perspective on philosophy and American life. He presents this to the reader in exquisitely crafted prose. Drawing inspiration from American history, from existentialist themes, and from personal experiences, he offers a dramatic consideration of our culture’s failures and successes.
    McDermott crosses disciplinary boundaries to draw on whatever works to help make sense of the
    issues with which he is dealing—issues rooted in medical practice, political events, pedagogical habits, and the worlds of the arts. His work thus resists simple categorization. It is precisely this that makes his vibrant prose appealing to so many both inside and outside the world of American philosophy.

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