Description
Book SynopsisThe Culture of War explores the unexpected flourishing of literature both high and low during the Siege of Paris at the end of the Franco-Prussian War, 1870-1871. When Prussian forces completely blockaded Paris, isolating the city from the outside world, Parisians turned to literature to resist the enemy, to fill the idle hours under siege, and to articulate their place in history. This cultural boom was a conscious effort on the part of literary institutions like newspapers, publishers, and theaters to ensure the viability of their industries during a period of political uncertainty. To do so, many publishers, editors, and directors sought legitimacy through populism, promoting literature written by anonymous and unknown authors or that spoke to populist ideas. A study of national tragedy on a local scale,
The Culture of War goes beyond traditional narratives of communal or individual psychology, and studies institutional responses to financial and political instability, viewing literature as a product of economic and political forces.
Trade Review"This book offers an original and intriguing look into the literature of the four-month period of the Siege (introducing some virtually unknown works to readers) as well as a novel exploration of the ways that literary institutions responded to this moment of turmoil.”
Anne O'Neil-Henry, Georgetown University
'Because the book shows the power of a patriotism which reactivates references to the French Revolution, to the people in arms, the work, although written by a specialist in literature, is also extremely careful to get out of textual analysis
stricto sensu to question literature as a social activity, [...] gives new life to printers, publishers, owners of newspapers and theatres, who are the actors of this moment of exceptional creativity. [...] All in all, this stimulating book reinforces the value of a multidisciplinary approach to writing in times of war.'Odile Roynette,
Contemporary TerritoriesTable of ContentsAcknowledgements
Part I: On StageChapter 1: The Boulevards Lose Their Theaters
Chapter 2: Hugomania
Part II: Off PressesChapter 3: The
Feuilleton at War
Chapter 4: The Dubious Battle of Reichshoffen
Part III: At HomeChapter 5: Letters to No One
Chapter 6: Historians of the Present
Part IV: In PrintChapter 7: De-Modernizing Publishing
Chapter 8: To Make the Past Public
CodaThe Siege and State Violence
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