Description

Book Synopsis

This book describes three years of work by the Culture and Communities Mapping Project, a research project based in Edinburgh that uses maps as an object of study and also a means to facilitate research. Taking a self-reflexive approach, the book draws on a variety of iterative mapping procedures and visual methodologies, from online virtual tours to photo elicitation, to capture the voices of inhabitants and their distinctive perspectives on the city. The book argues that practices of cultural mapping consist of a research field in and of itself, and it situates this work in relation to other areas of research and practice, including critical cartography, cultural geography, critical GIS, activist mapping and artist maps. The book also offers a range of practical approaches towards using print and web-based maps to give visibility to spaces traditionally left out of city representations but that are important to the local communities that use them. Throughout, the authors reflect critically on how, through the processes of mapping, we create knowledge about space, place, community and culture.



Table of Contents

Chapter 1. Introduction: The Global Festival City

Chapter 2. Theories and Methods of Cultural Mapping

Chapter 3. Cultural Mapping in the City of Edinburgh

Chapter 4. Neogeography, Software Sorted Geographies and Web Maps

Chapter 5. Maps, Memories and Stories of Place


The Culture and Communities Mapping Project

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    A Hardback by Morgan Currie, Melisa Miranda Correa

    £54.99

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      Book details

      Published 15 December 2021
      ISBN-13 9783030886509
      978-3030886509
      ISBN-10 3030886506

      Description

      Book Synopsis

      This book describes three years of work by the Culture and Communities Mapping Project, a research project based in Edinburgh that uses maps as an object of study and also a means to facilitate research. Taking a self-reflexive approach, the book draws on a variety of iterative mapping procedures and visual methodologies, from online virtual tours to photo elicitation, to capture the voices of inhabitants and their distinctive perspectives on the city. The book argues that practices of cultural mapping consist of a research field in and of itself, and it situates this work in relation to other areas of research and practice, including critical cartography, cultural geography, critical GIS, activist mapping and artist maps. The book also offers a range of practical approaches towards using print and web-based maps to give visibility to spaces traditionally left out of city representations but that are important to the local communities that use them. Throughout, the authors reflect critically on how, through the processes of mapping, we create knowledge about space, place, community and culture.



      Table of Contents

      Chapter 1. Introduction: The Global Festival City

      Chapter 2. Theories and Methods of Cultural Mapping

      Chapter 3. Cultural Mapping in the City of Edinburgh

      Chapter 4. Neogeography, Software Sorted Geographies and Web Maps

      Chapter 5. Maps, Memories and Stories of Place


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