Description

Book Synopsis
The Great Proletarian Cultural Revolution, which took place in China between 1966 and 1976, was a major political and social tragedy in Chinese history. As part of an effort to understand how the state enforced control amid seeming chaos, this book looks at the ubiquitous revolutionary presentations and performances of power, such as political rituals, revolutionary rhetoric, and public gatherings, in people's everyday lives during the Cultural Revolution as performances that contributed to the control of the Chinese people. In particular, this book discusses how the promotion of revolutionary models in real life contributed to people's eagerness to perform the role of the ideal revolutionary, and how the possibility of complete revolutionary transformation, promoted by the state media, and the hard fact that no one was able to completely become a Maoist subject, who would be completely selfless and think and speak only Maoist teaching, subjected people to a state of becoming but never

Trade Review
Overall, The Cultural Revolution and Overacting points out the overdramatization within the dailiness at the core of the Cultural Revolution and brings the understanding of socialist masses a new light…. Differently, this study marks an attempt of appreciating the shifts from the textual and semiotic aspects of cultural artifacts to ordinary people’s embodied experience and daily practices during the Cultural Revolution…. Wang’s book offers an alternative perspective from which the empirical and interdisciplinary moves towards an anthropology of the Chinese Cultural Revolution from below are promised and potentially allowed. * China Review *

Table of Contents
Chapter 1. Rituals in Action: Revolutionary Rituals and the Shaping of Political Idols and Political Subjects Chapter 2. Deciphering Revolutionary Language: The Charm of the Big Character Poster Chapter 3: Model Theater: Modeling the World Chapter 4. Permanent Liminality: The Performance of Revolutionary Heroic Characters in Everyday Life Chapter 5. Enfranchised Violence: Public Struggle Meetings Chapter 6. The End of the Cultural Revolution: The Trial of the Gang of Four

The Cultural Revolution and Overacting

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    A Hardback by Tuo Wang

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      Publisher: Rlpg/Galleys
      Publication Date: 9/24/2014 12:00:00 AM
      ISBN13: 9780739192900, 978-0739192900
      ISBN10: 0739192906

      Description

      Book Synopsis
      The Great Proletarian Cultural Revolution, which took place in China between 1966 and 1976, was a major political and social tragedy in Chinese history. As part of an effort to understand how the state enforced control amid seeming chaos, this book looks at the ubiquitous revolutionary presentations and performances of power, such as political rituals, revolutionary rhetoric, and public gatherings, in people's everyday lives during the Cultural Revolution as performances that contributed to the control of the Chinese people. In particular, this book discusses how the promotion of revolutionary models in real life contributed to people's eagerness to perform the role of the ideal revolutionary, and how the possibility of complete revolutionary transformation, promoted by the state media, and the hard fact that no one was able to completely become a Maoist subject, who would be completely selfless and think and speak only Maoist teaching, subjected people to a state of becoming but never

      Trade Review
      Overall, The Cultural Revolution and Overacting points out the overdramatization within the dailiness at the core of the Cultural Revolution and brings the understanding of socialist masses a new light…. Differently, this study marks an attempt of appreciating the shifts from the textual and semiotic aspects of cultural artifacts to ordinary people’s embodied experience and daily practices during the Cultural Revolution…. Wang’s book offers an alternative perspective from which the empirical and interdisciplinary moves towards an anthropology of the Chinese Cultural Revolution from below are promised and potentially allowed. * China Review *

      Table of Contents
      Chapter 1. Rituals in Action: Revolutionary Rituals and the Shaping of Political Idols and Political Subjects Chapter 2. Deciphering Revolutionary Language: The Charm of the Big Character Poster Chapter 3: Model Theater: Modeling the World Chapter 4. Permanent Liminality: The Performance of Revolutionary Heroic Characters in Everyday Life Chapter 5. Enfranchised Violence: Public Struggle Meetings Chapter 6. The End of the Cultural Revolution: The Trial of the Gang of Four

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