Description

Book Synopsis

The Creative Reflective Practitioner explores research and practice through the eyes of people with a wholehearted commitment to creative work. It reveals what it means to be a reflective creative practitioner, whether working alone, in collaboration with others, with digital technology or doing research, and what we can learn from listening and observing closely. It gives the reader new insights into the fascinating challenge that having a reflective creative mindset can bring.

Creative reflective practice is seen through practitioner ideas and works which have informed the writing at every level, supported by research studies and historical accounts. The practitioners featured in this book represent a broad spectrum of interdisciplinary creative activities producing works in film, music, drama, dance and interactive installations. Their work is innovative, full of new ideas and exciting to experience, offering engagement and challenge for audiences and participants al

Trade Review

This book makes an important contribution to the literature of creative studies. Drawing on contemporary research in the field with particular insight into the value of recent digitally based practice, the author introduces a rigorous and illuminating analysis of the often enigmatic nature of the creative process, grounded in lively interviews with practising artists, scientists and technologists, providing a deeper understanding of the ways in which artworks, and indeed any other creative outcomes, evolve in all their complexity.
Siân Ede, author of ‘Art & Science’

Linda Candy shows us how the powerful paradigm of reflective practice can be used to understand creative thought in such diverse fields as science, engineering, art, design and music. Her interviews with distinguished practitioners provide a privileged glimpse into especially creative minds and her analysis reveals fascinatingly generic aspects of cognition. This book deserves to become a standard text in the field; there is every chance that it will.

Bryan Lawson (Emeritus Professor: Dip Arch (dist) (Oxford), Msc (dist), PhD (Aston), RIBA, Registered Architect.)

Linda Candy has created an incredible book on creativity. Her deep reflections on the nature of creativity will be of vital importance to anyone engaging with reflective creative practice. Through the voice of many significant artists and practitioners from a broad range of fields and disciplines, Candy weaves together a framework with which to understand their reflective practices, but more importantly how we, the readers, can benefit and enhance our own creativity.

Craig Vear, Professor of Digital Performance (Music), De Montfort University, Leicester, UK



Table of Contents

List of Figures

List of Practitioner Portraits

Acknowledgements

Preface

1. Reflection, Practice and the Creative Practitioner

2. Reflective Professional Practice

3. Reflective Creative Practice

Practitioner Interviews

4. Reflective Collaborative Practice

Practitioner Interviews

5. Digitally Amplified Reflective Practice

Practitioner Interviews

6. Reflection through Research

7. Learning from the Reflective Practitioner

Afterword

References

The Creative Reflective Practitioner

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    £39.99

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    Order before 4pm tomorrow for delivery by Thu 25 Jun 2026.

    A Paperback by Linda Candy

    15 in stock


      View other formats and editions of The Creative Reflective Practitioner by Linda Candy

      Publisher: Taylor & Francis Ltd
      Publication Date: 1/11/2019 12:12:00 AM
      ISBN13: 9781138632769, 978-1138632769
      ISBN10: 1138632767

      Description

      Book Synopsis

      The Creative Reflective Practitioner explores research and practice through the eyes of people with a wholehearted commitment to creative work. It reveals what it means to be a reflective creative practitioner, whether working alone, in collaboration with others, with digital technology or doing research, and what we can learn from listening and observing closely. It gives the reader new insights into the fascinating challenge that having a reflective creative mindset can bring.

      Creative reflective practice is seen through practitioner ideas and works which have informed the writing at every level, supported by research studies and historical accounts. The practitioners featured in this book represent a broad spectrum of interdisciplinary creative activities producing works in film, music, drama, dance and interactive installations. Their work is innovative, full of new ideas and exciting to experience, offering engagement and challenge for audiences and participants al

      Trade Review

      This book makes an important contribution to the literature of creative studies. Drawing on contemporary research in the field with particular insight into the value of recent digitally based practice, the author introduces a rigorous and illuminating analysis of the often enigmatic nature of the creative process, grounded in lively interviews with practising artists, scientists and technologists, providing a deeper understanding of the ways in which artworks, and indeed any other creative outcomes, evolve in all their complexity.
      Siân Ede, author of ‘Art & Science’

      Linda Candy shows us how the powerful paradigm of reflective practice can be used to understand creative thought in such diverse fields as science, engineering, art, design and music. Her interviews with distinguished practitioners provide a privileged glimpse into especially creative minds and her analysis reveals fascinatingly generic aspects of cognition. This book deserves to become a standard text in the field; there is every chance that it will.

      Bryan Lawson (Emeritus Professor: Dip Arch (dist) (Oxford), Msc (dist), PhD (Aston), RIBA, Registered Architect.)

      Linda Candy has created an incredible book on creativity. Her deep reflections on the nature of creativity will be of vital importance to anyone engaging with reflective creative practice. Through the voice of many significant artists and practitioners from a broad range of fields and disciplines, Candy weaves together a framework with which to understand their reflective practices, but more importantly how we, the readers, can benefit and enhance our own creativity.

      Craig Vear, Professor of Digital Performance (Music), De Montfort University, Leicester, UK



      Table of Contents

      List of Figures

      List of Practitioner Portraits

      Acknowledgements

      Preface

      1. Reflection, Practice and the Creative Practitioner

      2. Reflective Professional Practice

      3. Reflective Creative Practice

      Practitioner Interviews

      4. Reflective Collaborative Practice

      Practitioner Interviews

      5. Digitally Amplified Reflective Practice

      Practitioner Interviews

      6. Reflection through Research

      7. Learning from the Reflective Practitioner

      Afterword

      References

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