Description

Book Synopsis
In The Craft of Piano Playing, master pianist Alan Fraser offers readers an original and comprehensive approach to piano technique, offering over 100 illustrations and a series of unique exercises to guide the reader. Drawing on his many years as a performer and teacher, his long-standing collaborations with pedagogue Phil Cohen and virtuoso Kemal Gekich, and his professional training in the Feldenkrais Method, Fraser introduces his truly innovative piano technique by Teaching how to move your hands with greater sensitivity, power, and accuracy, and honing the skeletal alignments to help you access your innate, structural potency; Linking your physical technique to musical expression, creating an absolutely natural way of moving at the piano that is powerful, flexible, and musical (Piano News, Germany); and Keeping your hands healthy while avoiding the threats of tendonitis, carpal tunnel syndrome, focal dystonia, and RSI. This revised second edition joins the DVD of the same name, his

Trade Review
Fraser supplements this second edition of his book (1st ed., CH, Dec'03, 41-2081) with a companion DVD (which must be purchased separately, from Maple Grove Music Productions). Not simply a minor expansion, this work shows Fraser's continued progress in perfecting and illustrating the physical skills necessary to play the piano with ease and comfort. The basic layout of the volume is the same: 3 large parts, 15 sections, 72 chapters, plus various appendixes--all to be used as a whole or in part. The author expands the book by including more illustrations, by providing the musical examples that are demonstrated on the DVD, and by adding some additional subchapters. It is obvious that Fraser is continually exploring the mysteries of piano performance, applying the new realizations to his own playing and teaching, and sharing these refinements with his readers. The DVD (produced in 2006) is made up of small illustrative chapters of each idea, with Fraser demonstrating and talking to the viewer as if he or she is in a lesson with him. The DVD is necessary to understand the written instructions and must be viewed as the reader progresses through each part. Inclusive music collections supporting study of the piano will want this book. Summing Up: Recommended. All readers. * CHOICE *

Table of Contents
Part I — The Foreground: Physical Craftsmanship at The Piano I Getting Started II General Principles Of Movement At The Piano III Hand Strength and Function A: Perfecting Legato IV Hand Strength and Function B: The Special Role of the Thumb and its Relation to the Forefinger V Hand Strength and Function C: 8ves to Synthesize Hand and Arm Function VI Hand Strength and Function D: Maximal Articulation of the Fingers VII Above The Hand: The Role Of The Wrist And Arm In Legato VIII Rotation IX Natural Finger Shape X Some Other Touch Strategies and Combinations Part II — The Middleground: Some Aspects of Musical Craft XI Rhythm XII Phrasing XIII Orchestration Part III — The Background: Tell A Story: How Craft Becomes Art XIV Emotional Content XV A Few Last Thoughts

The Craft of Piano Playing

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    A Paperback by Alan Fraser

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      Publisher: Scarecrow Press
      Publication Date: Publication Date: 8/29/2011 12:00:00 AM
      ISBN13: 9780810877139, 978-0810877139
      ISBN10: 0810877139

      Description

      Book Synopsis
      In The Craft of Piano Playing, master pianist Alan Fraser offers readers an original and comprehensive approach to piano technique, offering over 100 illustrations and a series of unique exercises to guide the reader. Drawing on his many years as a performer and teacher, his long-standing collaborations with pedagogue Phil Cohen and virtuoso Kemal Gekich, and his professional training in the Feldenkrais Method, Fraser introduces his truly innovative piano technique by Teaching how to move your hands with greater sensitivity, power, and accuracy, and honing the skeletal alignments to help you access your innate, structural potency; Linking your physical technique to musical expression, creating an absolutely natural way of moving at the piano that is powerful, flexible, and musical (Piano News, Germany); and Keeping your hands healthy while avoiding the threats of tendonitis, carpal tunnel syndrome, focal dystonia, and RSI. This revised second edition joins the DVD of the same name, his

      Trade Review
      Fraser supplements this second edition of his book (1st ed., CH, Dec'03, 41-2081) with a companion DVD (which must be purchased separately, from Maple Grove Music Productions). Not simply a minor expansion, this work shows Fraser's continued progress in perfecting and illustrating the physical skills necessary to play the piano with ease and comfort. The basic layout of the volume is the same: 3 large parts, 15 sections, 72 chapters, plus various appendixes--all to be used as a whole or in part. The author expands the book by including more illustrations, by providing the musical examples that are demonstrated on the DVD, and by adding some additional subchapters. It is obvious that Fraser is continually exploring the mysteries of piano performance, applying the new realizations to his own playing and teaching, and sharing these refinements with his readers. The DVD (produced in 2006) is made up of small illustrative chapters of each idea, with Fraser demonstrating and talking to the viewer as if he or she is in a lesson with him. The DVD is necessary to understand the written instructions and must be viewed as the reader progresses through each part. Inclusive music collections supporting study of the piano will want this book. Summing Up: Recommended. All readers. * CHOICE *

      Table of Contents
      Part I — The Foreground: Physical Craftsmanship at The Piano I Getting Started II General Principles Of Movement At The Piano III Hand Strength and Function A: Perfecting Legato IV Hand Strength and Function B: The Special Role of the Thumb and its Relation to the Forefinger V Hand Strength and Function C: 8ves to Synthesize Hand and Arm Function VI Hand Strength and Function D: Maximal Articulation of the Fingers VII Above The Hand: The Role Of The Wrist And Arm In Legato VIII Rotation IX Natural Finger Shape X Some Other Touch Strategies and Combinations Part II — The Middleground: Some Aspects of Musical Craft XI Rhythm XII Phrasing XIII Orchestration Part III — The Background: Tell A Story: How Craft Becomes Art XIV Emotional Content XV A Few Last Thoughts

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