Description
Book SynopsisThe Continuum of Consciousness: Aesthetic Experience and Visual Art in Henry James's Novels examines the transformative experience of art in James's fiction. In a 1915 letter to H. G. Wells, James declares, It is art that makes life. This book traces the rich implications of this claim. For James, viewing art transformed the self. Many of his contemporaries, including his famous older brother, William, were deeply interested in the study of perception and individual consciousness. James's fictional use of art reflects these philosophical discussions. Although much valuable scholarship has been devoted to visual art in James's fiction, the guiding role it often plays in his characters' experiences receives fuller exploration in this book. A prolonged look at visual art and consciousness through the lens of nineteenth-century British aestheticism reveals intriguing connections and character responses. By highlighting and analyzing his representations of aesthetic consciousness in
Table of ContentsContents: The Art in James’s Experience – Aesthetic Experience in
The Portrait of a Lady – The Influence of Architecture in
The Bostonians – (Re)presenting Miriam Rooth in
The Tragic Muse – Pater and Ruskin in
The Wings of the Dove –.
