Description
Book SynopsisWhat does it mean for a play to be political in the 21st century? Does it require explicit engagement with events and situations with the aim of bringing about change or highlighting social wrongs? Is it purely a matter of content or is it also a matter of structure?
The Contemporary Political Play: Rethinking Dramaturgical Structure examines the politics of contemporary ''political'' drama. It traces the origins of the contemporary British political play to the emergence of the idea of serious drama' in the late 19th century through the work of Bernard Shaw, and argues that a Shavian version of serious drama was inextricably linked to the social and political structures of British society at the time. While political drama is still often thought of as adhering to a Shavian model in which social issues are presented through a dialectical structure, Grochala argues that the different political structures of contemporary Britain give rise to formally inventive dramaturgies that are
Trade Review[Grochala's] book is at its most powerful when it engages with such divided selves and spaces, as well as the creative impulses that lie behind them. * Times Literary Supplement *
The Contemporary Political Play: Rethinking Dramaturgical Structure is a valuable resource for students and academics, as well as to new and established playwrights. This book will become a staple in my arsenal as an academic, lecturer and playwright. I found the book so useful that I began using it in my teaching and lectures even before I had finished reading it. * South African Theatre Journal *
Table of ContentsContents Forward Introduction 1 – Serious Drama 2 – The Politics of Structure 3 – Time 4 – Space 5 – Plot 6 – Character Conclusion Bibliography Index
