Description

Book Synopsis
Surveying comedic texts and performers from The Jack Benny Program to Key and Peele, Saturday Night Live, and Stephen Colbert, this classroom-ready anthology offers a first-ever overview of the field of comedy studies.

Trade Review
"An expertly conceived collection that proves both familiar and new...The Comedy Studies Reader expertly follows through on its promise for scholars—providing a clear invitation to play, to revisit old streets and explore new territories under the sheltering sky of comedy studies." * Studies in American Humor *

Table of Contents

Acknowledgments

Volume Introduction: Comedy as Theory, Industry, and Academic Discipline, Nick Marx and Matt Sienkiewicz

1. The Carnivalesque

Introduction: The Naked Gun

A: Rabelais and His World, Mikhail Bakhtin

B: “The Frames of Comic ‘Freedom,’” Umberto Eco

C: “Sacred Catastrophe, Profane Laughter: Family Guy's Comedy in the Ritual of National Trauma,” Philip Scepanski

2. Comedy Mechanics & Absurdity

Introduction: Man Seeking Woman

A: Laughter: An Essay on the Meaning of the Comic, Henri Bergson

B: The Logic of the Absurd, Jerry Palmer

C: “Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy,” Donald Crafton

D: “The New Logic of the Absurd: The Eric André Show,” Evan Elkins

3. Psychoanalyzing Comedy

Introduction: Archer

A: Jokes and Their Relation to the Unconscious, Sigmund Freud

B: “Humor,” Sigmund Freud

C: “Lacan’s Harpo,” Paul Flaig

D: “Revenge of the Nerds: Failure, Laughter, and Liberation on The Big Bang Theory,” Andrew J. Owens

4. Irony

Introduction: Stephen Colbert at the White House Correspondents’ Association Dinner 2006

A: Irony’s Edge, Linda Hutcheon

B: “Speaking Too Soon: SNL, 9/11, and the Remaking of American Irony,” Matt Sienkiewicz

C: “Welcome to the Clickhole: The Economics of Internet Parody and Critique,” Amber Day

5. Genre

Introduction: 22 Jump Street

A: Popular Film and Television Comedy, Steve Neale and Frank Krutnik

B: “Comedy Verité? The Observational Documentary Meets the Televisual Sitcom,” Ethan Thompson

C: “Inventing the Situation Comedy: Jack Benny, the ‘Fall Guy,’ and the Making of a Genre,” Kathryn Fuller-Seeley

6. Race & Ethnicity

Introduction: Key and Peele

A: Watching Race, Herman Gray

B: “The Culture Behind Closed Doors: Issues of Gender and Race in the Writers' Room,” Felicia D. Henderson

C: "Naturalizing Racial Differences Through Comedy: Asian, Black, and White Views on Racial Stereotypes in Rush Hour 2," Ji Hoon Park, Nadine G. Gabbadon, and Ariel R. Chernin

D: “‘Indians on TV (and Netflix)’: The Comedic Trajectory of Aziz Ansari,” Bhoomi K. Thakore and Bilal Hussain

7. Gender & Sexuality

Introduction: Inside Amy Schumer

A: The Unruly Woman, Kathleen Rowe Karlyn

B: Pretty/Funny, Linda Mizejewski

C: “Generic Closets: Sitcoms, Audiences and Black Male Gayness,” Alfred L. Martin Jr.

8. Nation & Globalization

Introduction: Klovn and Curb Your Enthusiasm, Peter Kragh Jensen and Matt Sienkiewicz

A: A National Joke, Andy Medhurst

B: “Transnational TV Comedy Audiences,” Inger-Lise Kalviknes Bore

C: “Transgressing Boundaries as the Hybrid Global: Parody and Postcoloniality on Indian Television,” Sangeet Kumar

D: “Comedy and the Nation in The Trip,” Brett Mills

Index

The Comedy Studies Reader

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    A Paperback / softback by Nick Marx, Matt Sienkiewicz

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      Publisher: University of Texas Press
      Publication Date: 01/08/2018
      ISBN13: 9781477316009, 978-1477316009
      ISBN10: 1477316000

      Description

      Book Synopsis
      Surveying comedic texts and performers from The Jack Benny Program to Key and Peele, Saturday Night Live, and Stephen Colbert, this classroom-ready anthology offers a first-ever overview of the field of comedy studies.

      Trade Review
      "An expertly conceived collection that proves both familiar and new...The Comedy Studies Reader expertly follows through on its promise for scholars—providing a clear invitation to play, to revisit old streets and explore new territories under the sheltering sky of comedy studies." * Studies in American Humor *

      Table of Contents

      Acknowledgments

      Volume Introduction: Comedy as Theory, Industry, and Academic Discipline, Nick Marx and Matt Sienkiewicz

      1. The Carnivalesque

      Introduction: The Naked Gun

      A: Rabelais and His World, Mikhail Bakhtin

      B: “The Frames of Comic ‘Freedom,’” Umberto Eco

      C: “Sacred Catastrophe, Profane Laughter: Family Guy's Comedy in the Ritual of National Trauma,” Philip Scepanski

      2. Comedy Mechanics & Absurdity

      Introduction: Man Seeking Woman

      A: Laughter: An Essay on the Meaning of the Comic, Henri Bergson

      B: The Logic of the Absurd, Jerry Palmer

      C: “Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy,” Donald Crafton

      D: “The New Logic of the Absurd: The Eric André Show,” Evan Elkins

      3. Psychoanalyzing Comedy

      Introduction: Archer

      A: Jokes and Their Relation to the Unconscious, Sigmund Freud

      B: “Humor,” Sigmund Freud

      C: “Lacan’s Harpo,” Paul Flaig

      D: “Revenge of the Nerds: Failure, Laughter, and Liberation on The Big Bang Theory,” Andrew J. Owens

      4. Irony

      Introduction: Stephen Colbert at the White House Correspondents’ Association Dinner 2006

      A: Irony’s Edge, Linda Hutcheon

      B: “Speaking Too Soon: SNL, 9/11, and the Remaking of American Irony,” Matt Sienkiewicz

      C: “Welcome to the Clickhole: The Economics of Internet Parody and Critique,” Amber Day

      5. Genre

      Introduction: 22 Jump Street

      A: Popular Film and Television Comedy, Steve Neale and Frank Krutnik

      B: “Comedy Verité? The Observational Documentary Meets the Televisual Sitcom,” Ethan Thompson

      C: “Inventing the Situation Comedy: Jack Benny, the ‘Fall Guy,’ and the Making of a Genre,” Kathryn Fuller-Seeley

      6. Race & Ethnicity

      Introduction: Key and Peele

      A: Watching Race, Herman Gray

      B: “The Culture Behind Closed Doors: Issues of Gender and Race in the Writers' Room,” Felicia D. Henderson

      C: "Naturalizing Racial Differences Through Comedy: Asian, Black, and White Views on Racial Stereotypes in Rush Hour 2," Ji Hoon Park, Nadine G. Gabbadon, and Ariel R. Chernin

      D: “‘Indians on TV (and Netflix)’: The Comedic Trajectory of Aziz Ansari,” Bhoomi K. Thakore and Bilal Hussain

      7. Gender & Sexuality

      Introduction: Inside Amy Schumer

      A: The Unruly Woman, Kathleen Rowe Karlyn

      B: Pretty/Funny, Linda Mizejewski

      C: “Generic Closets: Sitcoms, Audiences and Black Male Gayness,” Alfred L. Martin Jr.

      8. Nation & Globalization

      Introduction: Klovn and Curb Your Enthusiasm, Peter Kragh Jensen and Matt Sienkiewicz

      A: A National Joke, Andy Medhurst

      B: “Transnational TV Comedy Audiences,” Inger-Lise Kalviknes Bore

      C: “Transgressing Boundaries as the Hybrid Global: Parody and Postcoloniality on Indian Television,” Sangeet Kumar

      D: “Comedy and the Nation in The Trip,” Brett Mills

      Index

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