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Book Synopsis

Chapter 1: Introduction.- Chapter 2: Guy Régis Jr’s Post-Earthquake Vigil: Keeping Watch on Catastrophe in De toute la terre le grand effarement.- Chapter 3: "We Must Face Haiti”: Rawle Gibbonss 1993 Production of The Black Jacobins.- Chapter 4: Staging the Païdeuma: Nature and Insurrection in Aimé Césaire’s Une tempête.- Chapter 5: The Coloniality of Naufragio and Utopia in Teatro Buendía’s Otra tempestad.- Chapter 6: Making Theater in the Face of the Storm: Shakespeare in Paradise, Healing, and Theater.- Chapter 7: Drowning in the Wake.- Chapter 8: “No more drumming. Nor sticks”: The Colonial Catastrophe that Conditioned Caribbean Performance.- Chapter 9: Interrogating Disaster through Apocalyptic Narratives in Dominican Theater.- Chapter 10: Sensing Catastrophic Realities in Diasporic Puerto Rican Theater.- Chapter 11: PROMESA, Anti-Colonial Drag, and Diasporic Puerto Rican Trans Revolution.- Chapter 12: Beyond Catastrophe: Teresa Hernández and the Puerto Rican Performative Body in the New Millennium.- Chapter 13: Catastrophe, Theater, Performance: Praxes of Re/Making the Caribbean With/Out Coloniality, A Conversation with Eliézer Guérismé, Judith G. Miller, Gaël Octavia, and Gina Athena Ulysse.

The Coloniality of Catastrophe in Caribbean Theatre and Performance

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    A Hardback by Camilla Stevens

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      Publisher: Palgrave Macmillan
      Publication Date: 05/06/2025
      ISBN13: 9783031857904, 978-3031857904
      ISBN10:
      Also in:
      Theatre studies

      Description

      Book Synopsis

      Chapter 1: Introduction.- Chapter 2: Guy Régis Jr’s Post-Earthquake Vigil: Keeping Watch on Catastrophe in De toute la terre le grand effarement.- Chapter 3: "We Must Face Haiti”: Rawle Gibbonss 1993 Production of The Black Jacobins.- Chapter 4: Staging the Païdeuma: Nature and Insurrection in Aimé Césaire’s Une tempête.- Chapter 5: The Coloniality of Naufragio and Utopia in Teatro Buendía’s Otra tempestad.- Chapter 6: Making Theater in the Face of the Storm: Shakespeare in Paradise, Healing, and Theater.- Chapter 7: Drowning in the Wake.- Chapter 8: “No more drumming. Nor sticks”: The Colonial Catastrophe that Conditioned Caribbean Performance.- Chapter 9: Interrogating Disaster through Apocalyptic Narratives in Dominican Theater.- Chapter 10: Sensing Catastrophic Realities in Diasporic Puerto Rican Theater.- Chapter 11: PROMESA, Anti-Colonial Drag, and Diasporic Puerto Rican Trans Revolution.- Chapter 12: Beyond Catastrophe: Teresa Hernández and the Puerto Rican Performative Body in the New Millennium.- Chapter 13: Catastrophe, Theater, Performance: Praxes of Re/Making the Caribbean With/Out Coloniality, A Conversation with Eliézer Guérismé, Judith G. Miller, Gaël Octavia, and Gina Athena Ulysse.

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