Description
Book SynopsisThe Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano's oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano's films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).
Trade ReviewAn imaginatively written self-reflexive academic's journey through the films of Kitano Takeshi. -- Isolde Standish, School of Oriental and African Studies A bold and provocative attempt at pinning down this most mercurial and misunderstood of Japanese directors. -- Jasper Sharp, Midnight Eye The depth of engagement with the films and the director within The Cinema of Takeshi Kitano ensures a complex reading of Kitano's cinema... An excellent book for anyone interested in Japanese culture, screen media and theory. More than this, The Cinema of Takeshi Kitano... is (like Kitano's cinema) an evocative and powerful contribution to film culture. -- Wendy Haslem, The University of Melbourne Senses of Cinema
Table of ContentsAcknowledgements Introduction: Becoming Lost in Tokyo 1. Time, Space and Whatever 2. Flowering Blood 3. Intense Alterity 4. Starring Kitanos 5. This is the Sea Conclusion: Standing Outside Office Kitano Postscript: I Welcome the Pain of it Already Filmography Bibliography Index
