Description

Book Synopsis

Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work, The Cinema of Sara Gómez unpacks her complex life and gives weight to her groundbreaking cinema.



Trade Review

The release of this important critical anthology, alongside the release of the restorations, reinstates the work of Sara Gomez in the living archive of women film-makers and allwos her reintroduction into archives and counterarchives of Latin American cinema.

-- Juana Suarez - NYU MAP * Film Quarterly *

A must-read for those researching and teaching feminist documentaries, decolonial ethnography, and the histories of Latin American Cinema.

-- Leticia Berrizbeitia Añez * Jump Cut *

Table of Contents

Introduction: New Women, Old Worlds, by Susan Lord
1. We have a vast public . . . .": Interview for Pensamiento Critico by Sara Gómez Yera
2. "Sara is so very Sara!": Inés María Martiatu Terry Interviewed by Lourdes Martínez-Echazábal, by Inés María Martiatu Terry and Lourdes Martínez-Echazábal
3. Inquisitive Gazes: Sara Gómez's Perspectives on Social Marginality from and within the Cuban Revolution, by Odette Casamayor-Cisneros
4. Sergio Giral Interviewed by María Caridad Cumaná, by Sergio Giral and María Caridad Cumaná
5. "Neither Farms nor Coffee Plantations . . .": Urban Spaces and Cultural Contours in the Script and on the Screen, by Víctor Fowler Calzada
6. Residential Miraflores: (Script for De cierta manera/One way or another), by Sara Gómez Yera and Tomás Gonzalez
7. Luis García Mesa Interviewed by Lourdes Martínez-Echazábal and María Caridad Cumaná, by Luis García Mesa, Lourdes Martínez-Echazábal, and María Caridad Cumaná
8. Sara Gómez: AfroCubana (Afro-Cuban Women's) Activism after 1961, by Devyn Spence Benson
9. Racial Identity and Collisions: Gómez and Guillén Landrián, by María Caridad Cumaná
10. Rigoberto López Interviewed by Victor Fowler Calzada, by Rigoberto López and Víctor Fowler Calzada
11. Information and Education: Sara Gómez and Nonfiction Film Culture of the 1960s, by Joshua Malitsky
12. Virtual Heroes in the Midst of Shortage: Sara Gómez Confronts the New Man, by Ana Serra
13. Iván Arocha Montes de Oca Interviewed by Ricardo Acosta, by Iván Arocha Montes de Oca and Ricardo Acosta
14. Sabor and Punctum: Music in Sara Gómez's Films, by Alan West-Durán
15. The Santiago of Two Pilgrims: F. G. Lorca and Sara Gómez in Search of Eastern Cuba, by Lourdes Martínez-Echazábal
16. Her Contribution, by Sandra Abd'Allah-Alvarez Ramírez
17. Conclusion: Transculturation, Gender, and Documentary, by Susan Lord
Epilogue: "As time goes by, we are less of a polite, aesthetic, static, sexual, and passive object . . .": Sara Gómez Yera Interviewed by Marguerite Duras
Filmography
Index

The Cinema of Sara Gómez

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    A Hardback by Susan Lord, Inés María Martiatu Terry, Lourdes Martínez-Echazábal

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      View other formats and editions of The Cinema of Sara Gómez by Susan Lord

      Publisher: Indiana University Press
      Publication Date: Publication Date: 06/07/2021
      ISBN13: 9780253057044, 978-0253057044
      ISBN10: 0253057043

      Description

      Book Synopsis

      Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work, The Cinema of Sara Gómez unpacks her complex life and gives weight to her groundbreaking cinema.



      Trade Review

      The release of this important critical anthology, alongside the release of the restorations, reinstates the work of Sara Gomez in the living archive of women film-makers and allwos her reintroduction into archives and counterarchives of Latin American cinema.

      -- Juana Suarez - NYU MAP * Film Quarterly *

      A must-read for those researching and teaching feminist documentaries, decolonial ethnography, and the histories of Latin American Cinema.

      -- Leticia Berrizbeitia Añez * Jump Cut *

      Table of Contents

      Introduction: New Women, Old Worlds, by Susan Lord
      1. We have a vast public . . . .": Interview for Pensamiento Critico by Sara Gómez Yera
      2. "Sara is so very Sara!": Inés María Martiatu Terry Interviewed by Lourdes Martínez-Echazábal, by Inés María Martiatu Terry and Lourdes Martínez-Echazábal
      3. Inquisitive Gazes: Sara Gómez's Perspectives on Social Marginality from and within the Cuban Revolution, by Odette Casamayor-Cisneros
      4. Sergio Giral Interviewed by María Caridad Cumaná, by Sergio Giral and María Caridad Cumaná
      5. "Neither Farms nor Coffee Plantations . . .": Urban Spaces and Cultural Contours in the Script and on the Screen, by Víctor Fowler Calzada
      6. Residential Miraflores: (Script for De cierta manera/One way or another), by Sara Gómez Yera and Tomás Gonzalez
      7. Luis García Mesa Interviewed by Lourdes Martínez-Echazábal and María Caridad Cumaná, by Luis García Mesa, Lourdes Martínez-Echazábal, and María Caridad Cumaná
      8. Sara Gómez: AfroCubana (Afro-Cuban Women's) Activism after 1961, by Devyn Spence Benson
      9. Racial Identity and Collisions: Gómez and Guillén Landrián, by María Caridad Cumaná
      10. Rigoberto López Interviewed by Victor Fowler Calzada, by Rigoberto López and Víctor Fowler Calzada
      11. Information and Education: Sara Gómez and Nonfiction Film Culture of the 1960s, by Joshua Malitsky
      12. Virtual Heroes in the Midst of Shortage: Sara Gómez Confronts the New Man, by Ana Serra
      13. Iván Arocha Montes de Oca Interviewed by Ricardo Acosta, by Iván Arocha Montes de Oca and Ricardo Acosta
      14. Sabor and Punctum: Music in Sara Gómez's Films, by Alan West-Durán
      15. The Santiago of Two Pilgrims: F. G. Lorca and Sara Gómez in Search of Eastern Cuba, by Lourdes Martínez-Echazábal
      16. Her Contribution, by Sandra Abd'Allah-Alvarez Ramírez
      17. Conclusion: Transculturation, Gender, and Documentary, by Susan Lord
      Epilogue: "As time goes by, we are less of a polite, aesthetic, static, sexual, and passive object . . .": Sara Gómez Yera Interviewed by Marguerite Duras
      Filmography
      Index

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