Description

Book Synopsis
In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work, offering critical analysis of films including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014).

Trade Review
At last, a comprehensive study of one of America's most important independent filmmakers. This hugely readable and highly nuanced book reveals the sophisticated approach to filmmaking that underpins the apparent casualness of Linklater's 'slacker' aesthetic. -- Paul Cooke, University of Leeds A study as compelling and nuanced as Linklater's films. With remarkable insight, this volume provides provocative reflections on industry and indie filmmaking practices by exploring the work of this innovative filmmaker. -- Ann Marie Stock, College of William and Mary Stone's excellent book covers the director's entire career with skill and insight, illustrated with numerous stills throughout...an excellent course text, written in direct, accessible language. Choice

Table of Contents
Acknowledgements Introduction: Walk, Don't Run: The Cinema of Richard Linklater 1. Locating Linklater 2. Crafting Contradictions 3. The Form and Content of Slack 4. American Art House 5. Dreamstate, USA: The Metaphysics of Animation 6. The Spaces In Between Filmography Bibliography Index

The Cinema of Richard Linklater

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    A Hardback by Rob Stone

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      Publisher: Columbia University Press
      Publication Date: 01/05/2013
      ISBN13: 9780231165525, 978-0231165525
      ISBN10: 0231165528

      Description

      Book Synopsis
      In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work, offering critical analysis of films including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014).

      Trade Review
      At last, a comprehensive study of one of America's most important independent filmmakers. This hugely readable and highly nuanced book reveals the sophisticated approach to filmmaking that underpins the apparent casualness of Linklater's 'slacker' aesthetic. -- Paul Cooke, University of Leeds A study as compelling and nuanced as Linklater's films. With remarkable insight, this volume provides provocative reflections on industry and indie filmmaking practices by exploring the work of this innovative filmmaker. -- Ann Marie Stock, College of William and Mary Stone's excellent book covers the director's entire career with skill and insight, illustrated with numerous stills throughout...an excellent course text, written in direct, accessible language. Choice

      Table of Contents
      Acknowledgements Introduction: Walk, Don't Run: The Cinema of Richard Linklater 1. Locating Linklater 2. Crafting Contradictions 3. The Form and Content of Slack 4. American Art House 5. Dreamstate, USA: The Metaphysics of Animation 6. The Spaces In Between Filmography Bibliography Index

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