Description

Book Synopsis
This book provides the most complete account of Paul Thomas Anderson’s career to date, encompassing his evolution from a self-anointed auteur to one of his generation’s most distinctive voices. It is at once an unconventional primer on Anderson’s films and a provocative reframing of what makes his work so essential.

Trade Review
The Cinema of Paul Thomas Anderson is a feast of a book. With consummate clarity and inventiveness, Warren brings the films into rich, often fractious dialogue with one another. The results are extraordinarily illuminating. The entire book is infused with the kind of energy and delectable unpredictability that I associate with Anderson’s art at its best. Warren’s study shakes up conventional approaches to director-centered analysis in a fashion that will have lasting influence. -- George Toles, University of Manitoba, author of Paul Thomas Anderson
Ethan Warren should be commended for his razor-sharp analysis and rich knowledge of Anderson’s unique perspective and worldview, as well as Anderson’s contribution to American cinema. Warren leaves no stone unturned in this book, and his insightful enthusiasm makes these multifaceted films come alive through his careful study of Anderson’s life and influences. -- Whitney Crothers Dilley, author of The Cinema of Wes Anderson
Smart and compelling. -- Christopher Schobert * The Film Stage *
[Warren] brings his cinephilic eloquence to bear upon unknotting the enigmatic plots of, or characters in, Anderson’s films as well as Anderson’s ethos. To be sure, this is not a film theory text. Rather, Warren’s biography holds this boy genius (or brat) up to the light like a prism and slowly allows every refraction of Anderson to shine. -- Hannah Bonner * Senses of Cinema *

Table of Contents
Acknowledgments
Foreword, by Lindsay Zoladz
Introduction
1. On Paul Thomas Anderson’s Career to Date
2. On Places and Spaces
3. On Influence
4. On Domesticity
5. On Screenwriting
6. On Gender Performance
7. On Alienation Effects
8. On Faith and Belief
9. On Music Videos
10. On History
Notes
Index

The Cinema of Paul Thomas Anderson American

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£21.25

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RRP £25.00 – you save £3.75 (15%)

Order before 4pm tomorrow for delivery by Mon 22 Dec 2025.

A Paperback / softback by Ethan Warren

15 in stock


    View other formats and editions of The Cinema of Paul Thomas Anderson American by Ethan Warren

    Publisher: Columbia University Press
    Publication Date: 25/04/2023
    ISBN13: 9780231204590, 978-0231204590
    ISBN10: 0231204590

    Description

    Book Synopsis
    This book provides the most complete account of Paul Thomas Anderson’s career to date, encompassing his evolution from a self-anointed auteur to one of his generation’s most distinctive voices. It is at once an unconventional primer on Anderson’s films and a provocative reframing of what makes his work so essential.

    Trade Review
    The Cinema of Paul Thomas Anderson is a feast of a book. With consummate clarity and inventiveness, Warren brings the films into rich, often fractious dialogue with one another. The results are extraordinarily illuminating. The entire book is infused with the kind of energy and delectable unpredictability that I associate with Anderson’s art at its best. Warren’s study shakes up conventional approaches to director-centered analysis in a fashion that will have lasting influence. -- George Toles, University of Manitoba, author of Paul Thomas Anderson
    Ethan Warren should be commended for his razor-sharp analysis and rich knowledge of Anderson’s unique perspective and worldview, as well as Anderson’s contribution to American cinema. Warren leaves no stone unturned in this book, and his insightful enthusiasm makes these multifaceted films come alive through his careful study of Anderson’s life and influences. -- Whitney Crothers Dilley, author of The Cinema of Wes Anderson
    Smart and compelling. -- Christopher Schobert * The Film Stage *
    [Warren] brings his cinephilic eloquence to bear upon unknotting the enigmatic plots of, or characters in, Anderson’s films as well as Anderson’s ethos. To be sure, this is not a film theory text. Rather, Warren’s biography holds this boy genius (or brat) up to the light like a prism and slowly allows every refraction of Anderson to shine. -- Hannah Bonner * Senses of Cinema *

    Table of Contents
    Acknowledgments
    Foreword, by Lindsay Zoladz
    Introduction
    1. On Paul Thomas Anderson’s Career to Date
    2. On Places and Spaces
    3. On Influence
    4. On Domesticity
    5. On Screenwriting
    6. On Gender Performance
    7. On Alienation Effects
    8. On Faith and Belief
    9. On Music Videos
    10. On History
    Notes
    Index

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