Description

Book Synopsis
The Censor, the Editor, and the Text examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Raz-Krakotzkin argues that the regulation of Hebrew print provided an avenue for the integration of Hebrew literature into the Christian corpus.

Trade Review
"An important book, one that makes us reflect on past conclusions. . . . Raz-Krakotzkin writes history by emphasizing the nuances and inconsistencies intrinsic to cultural change and acculturation, a method that is not to be superciliously dismissed. If readers follow the author's own careful lead, they will be well rewarded." * Association for Jewish Studies Review *
"In this brilliantly argued book, Amnon Raz-Krakotzkin seeks to explain the role of Catholic censors within two contexts: their place within the church's institutional quest to set boundaries of "permitted knowledge" and to reshape the boundaries of Catholic orthodoxy on the one hand, and their role in reshaping Jewish texts on the other." * Humanities and Social Sciences Online *
"The history of Jewish publishing and reading practices is often ignored by the scholars working on Western scribal and print cultures. This book can help them to understand the multiple connections that existed between Catholic authorities, Christian printers and publishers, convert editors and censors, and Jewish readers during the sixteenth century. Raz-Krakotzkin stresses the role of censorship not only as a repressive institution but also as an agent in the construction of a repertoire of canonical works and in the collective production of the texts themselves." * Roger Chartier *

Table of Contents

Introduction: Censorship and the Transition to Print
Chapter 1. The Burning of the Talmud
Chapter 2. The Institutionalization of the Censorship of Hebrew Literature
Chapter 3. From Polemics to Censorship: The Development of the Expurgation of Written Culture
Chapter 4. Censorship and its Role in the Printing of the Hebrew Book
Chapter 5. From Polemic to Body of Knowledge—Sefer Hazikkuk and the Hebrew Text
Conclusion: Hebraism, Censorship, and Modernization
Notes
Bibliography
Index
Acknowledgments

The Censor the Editor and the Text

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    A Hardback by Amnon Raz-Krakotzkin, Jackie Feldman

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      View other formats and editions of The Censor the Editor and the Text by Amnon Raz-Krakotzkin

      Publisher: University of Pennsylvania Press
      Publication Date: 06/08/2007
      ISBN13: 9780812240115, 978-0812240115
      ISBN10: 0812240111

      Description

      Book Synopsis
      The Censor, the Editor, and the Text examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Raz-Krakotzkin argues that the regulation of Hebrew print provided an avenue for the integration of Hebrew literature into the Christian corpus.

      Trade Review
      "An important book, one that makes us reflect on past conclusions. . . . Raz-Krakotzkin writes history by emphasizing the nuances and inconsistencies intrinsic to cultural change and acculturation, a method that is not to be superciliously dismissed. If readers follow the author's own careful lead, they will be well rewarded." * Association for Jewish Studies Review *
      "In this brilliantly argued book, Amnon Raz-Krakotzkin seeks to explain the role of Catholic censors within two contexts: their place within the church's institutional quest to set boundaries of "permitted knowledge" and to reshape the boundaries of Catholic orthodoxy on the one hand, and their role in reshaping Jewish texts on the other." * Humanities and Social Sciences Online *
      "The history of Jewish publishing and reading practices is often ignored by the scholars working on Western scribal and print cultures. This book can help them to understand the multiple connections that existed between Catholic authorities, Christian printers and publishers, convert editors and censors, and Jewish readers during the sixteenth century. Raz-Krakotzkin stresses the role of censorship not only as a repressive institution but also as an agent in the construction of a repertoire of canonical works and in the collective production of the texts themselves." * Roger Chartier *

      Table of Contents

      Introduction: Censorship and the Transition to Print
      Chapter 1. The Burning of the Talmud
      Chapter 2. The Institutionalization of the Censorship of Hebrew Literature
      Chapter 3. From Polemics to Censorship: The Development of the Expurgation of Written Culture
      Chapter 4. Censorship and its Role in the Printing of the Hebrew Book
      Chapter 5. From Polemic to Body of Knowledge—Sefer Hazikkuk and the Hebrew Text
      Conclusion: Hebraism, Censorship, and Modernization
      Notes
      Bibliography
      Index
      Acknowledgments

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