Description

Book Synopsis
Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills''s level of musical expertise, reportorial reach, and calligraphic skill.

Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody''s significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era''s development. Marini also uses close musical and textual ana

Trade Review
"Offering a microhistory of meticulous precision, Marini forges through it a study of broad interdisciplinary scope, a rare synthesizing perspective on the musical, religious, commercial, and educational cultures of the eighteenth-century colonies. I know of no one else in the field who could have pulled off this feat the way Marini has—an exceptional combination of indefatigable archival research with practiced musical expertise."--Leigh Eric Schmidt, author of Restless Souls: The Making of American Spirituality
"Stephen Marini's careful research into an extraordinary eighteenth-century tunemaster and the extraordinary collection of texts and music he gathered into the Cashaway psalter has resulted in an extraordinary book. Tight focus on this one manuscript-musical object yields a rich harvest of insight on transatlantic cultural exchange, unexpected cooperation among churches, the economics of artistic production, and (most of all) the absolutely central place of singing in early American history. It is a rich and rewarding study."--Mark Noll, author of A History of Christianity in the United States and Canada, second edition

The Cashaway Psalmody

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A Hardback by Stephen A. Marini

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    View other formats and editions of The Cashaway Psalmody by Stephen A. Marini

    Publisher: University of Illinois Press
    Publication Date: 08/01/2020
    ISBN13: 9780252042843, 978-0252042843
    ISBN10: 0252042840

    Description

    Book Synopsis
    Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills''s level of musical expertise, reportorial reach, and calligraphic skill.

    Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody''s significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era''s development. Marini also uses close musical and textual ana

    Trade Review
    "Offering a microhistory of meticulous precision, Marini forges through it a study of broad interdisciplinary scope, a rare synthesizing perspective on the musical, religious, commercial, and educational cultures of the eighteenth-century colonies. I know of no one else in the field who could have pulled off this feat the way Marini has—an exceptional combination of indefatigable archival research with practiced musical expertise."--Leigh Eric Schmidt, author of Restless Souls: The Making of American Spirituality
    "Stephen Marini's careful research into an extraordinary eighteenth-century tunemaster and the extraordinary collection of texts and music he gathered into the Cashaway psalter has resulted in an extraordinary book. Tight focus on this one manuscript-musical object yields a rich harvest of insight on transatlantic cultural exchange, unexpected cooperation among churches, the economics of artistic production, and (most of all) the absolutely central place of singing in early American history. It is a rich and rewarding study."--Mark Noll, author of A History of Christianity in the United States and Canada, second edition

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