Description

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD

FINALIST FOR THE PEN/JEAN STEIN BOOK AWARD

From U.S. Poet Laureate Ada Limón comes The Carrying—her most powerful collection yet.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.”

In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”—“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display—even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.

The Carrying: Poems

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£12.29

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Paperback / softback by Ada Limón

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Short Description:

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARDFINALIST FOR THE PEN/JEAN STEIN BOOK AWARDFrom U.S. Poet Laureate Ada Limón comes... Read more

    Publisher: Milkweed Editions
    Publication Date: 27/05/2021
    ISBN13: 9781571315137, 978-1571315137
    ISBN10: 1571315136

    Number of Pages: 120

    Fiction , Poetry

    Description

    WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD

    FINALIST FOR THE PEN/JEAN STEIN BOOK AWARD

    From U.S. Poet Laureate Ada Limón comes The Carrying—her most powerful collection yet.

    Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.”

    In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”—“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display—even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.

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