Description
Book SynopsisThis volume of The Cambridge History of Literary Criticism, first published in 2000, provides a thorough account of the critical tradition emerging with the modernist and avant-garde writers of the early twentieth century (Eliot, Pound, Stein, Yeats), continuing with the New Critics (Richards, Empson, Burke, Winters), and feeding into the influential work of Leavis, Trilling and others who helped form the modern institutions of literary culture. The core period covered is 1910â60, but explicit connections are made with nineteenth-century traditions and there is discussion of the implications of modernism and the New Criticism for our own time, with its inherited formalism, anti-sentimentalism, and astringency of tone. The book provides a companion to the other twentieth-century volumes of The Cambridge History of Literary Criticism, and offers a systematic and stimulating coverage of the development of the key literary-critical movements, with chapters on groups and genres as well as o
Trade Review'This informative volume shows that both modernism and New Criticism may complement 'theory' in letting texts speak without an imperious airing of the volume's own preoccupations.' The Times Higher Education Supplement
'Its twenty chapters, written by a distinguished team of contributors, cover most of the peaks and a few of the valleys of Anglo-American criticism between, approximately, 1910 and 1960 … This volume provides some wonderful instances of what being 'intelligent' about literature can be like.' The Times Literary Supplement
Table of ContentsIntroduction Louis Menand and Lawrence Rainey; Part I. The Modernists: 1. T. S. Eliot Louis Menand; 2. Ezra Pound A. Walton Litz and Lawrence Rainey; 3. Gertrude Stein Steven Meyer; 4. Virginia Woolf Maria di Battista; 5. Wyndham Lewis Vincent Sherry; 6. W. B. Yeats Lucy McDiarmid; 7. The Harlem renaissance Michael North; Part II. The New Critics: 8. I. A. Richards Paul H. Fry; 9. The Southern New Critics Mark Jancovitch; 10. William Empson Michael Wood; 11. R. P. Blackmur Michael Wood; 12. Kenneth Burke Eugene Goodheart; 13. Yvor Winters Donald Davie; Part III. The Critic and The Institutions of Culture: 14. Criticism and the Academy Wallace Martin; 15. The critic and society, 1900–50 Morris Dickstein; 16. The British 'man of letters' and the rise of the professional Josephine M. Guy and Ian Small; 17. F. R. Leavis Michael Bell; 18. Lionel Trilling Harvey Teres; 19. Poet-critics Lawrence Lipking; 20. Criticism of fiction Michael Levenson; Bibliography; Index.
