Description

Book Synopsis
This Companion has long been a standard introduction to the field. This second edition is updated and enhanced with four new chapters, addressing the key themes being researched, taught and studied in modernism. Its interdisciplinary approach is central to its success as it brings together readings of the many varieties of modernism. Chapters address the major literary genres, the intellectual, religious and political contexts, and parallel developments in film, painting and music. The catastrophe of the First World War, the emergence of feminism, the race for empire, the conflict among classes: the essays show how these events and circumstances shaped aesthetic and literary experiments. In doing so, they explain clearly both the precise formal innovations in language, image, scene and tone, and the broad historical conditions of a movement that aspired to transform culture.

Table of Contents
Introduction Michael Levenson; 1. The metaphysics of modernism Michael Bell; 2. The cultural economy of modernism Lawrence Rainey; 3. The modernist novel David Trotter; 4. Modern poetry James Longenbach; 5. Modernism in drama Christopher Innes; 6. The politics of culture Sara Blair; 7. Modernism and religion Pericles Lewis; 8. Mass culture Allison Pease; 9. Modernism and gender Marianne DeKoven; 10. Musical motives Daniel Albright; 11. The visual arts Glen MacLeod; 12. Film Michael Wood; 13. Colonial modernism Elleke Boehmer and Steven Matthews; Further reading; Index.

The Cambridge Companion to Modernism Cambridge

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    A Paperback by Michael Levenson

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      View other formats and editions of The Cambridge Companion to Modernism Cambridge by Michael Levenson

      Publisher: Cambridge University Press
      Publication Date: 9/15/2011 12:00:00 AM
      ISBN13: 9780521281256, 978-0521281256
      ISBN10: 0521281253

      Description

      Book Synopsis
      This Companion has long been a standard introduction to the field. This second edition is updated and enhanced with four new chapters, addressing the key themes being researched, taught and studied in modernism. Its interdisciplinary approach is central to its success as it brings together readings of the many varieties of modernism. Chapters address the major literary genres, the intellectual, religious and political contexts, and parallel developments in film, painting and music. The catastrophe of the First World War, the emergence of feminism, the race for empire, the conflict among classes: the essays show how these events and circumstances shaped aesthetic and literary experiments. In doing so, they explain clearly both the precise formal innovations in language, image, scene and tone, and the broad historical conditions of a movement that aspired to transform culture.

      Table of Contents
      Introduction Michael Levenson; 1. The metaphysics of modernism Michael Bell; 2. The cultural economy of modernism Lawrence Rainey; 3. The modernist novel David Trotter; 4. Modern poetry James Longenbach; 5. Modernism in drama Christopher Innes; 6. The politics of culture Sara Blair; 7. Modernism and religion Pericles Lewis; 8. Mass culture Allison Pease; 9. Modernism and gender Marianne DeKoven; 10. Musical motives Daniel Albright; 11. The visual arts Glen MacLeod; 12. Film Michael Wood; 13. Colonial modernism Elleke Boehmer and Steven Matthews; Further reading; Index.

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