Description

Book Synopsis
This is the first thorough investigation of the Brummer brothers’ remarkable career as dealers in antiques, curiosities and modernism in Paris and New York over six decades (1906-1964). A dozen specialists aggregate their expertise to explore extant dealer records and museum archives, parse the wide-ranging Brummer stock, and assess how objects were sourced, marketed, labelled, restored, and displayed. The research provides insights into emerging collecting fields as they crystallised, at the crossroads between market and museum. It questions the trope of the tastemaker; the translocation of material culture, and the dealers’ prolific relationships with illustrious collectors, curators, scholars, artists, and fellow dealers.

Table of Contents
List of Figures and Tables Contributors Introduction  Christel H. Force, Yaëlle Biro and Christine E. Brennan 1 The Brummer Galleries: A Chronology  Christel H. Force Part 1: A Family Affair—The Brummers and Art Dealing in Paris, 1906–1914 2 Innate Taste or Construction of the Gaze: Joseph Brummer and the Promotion of the African Object as Art  Yaëlle Biro 3 Picassos at ‘Brummer Frères—Curiosités’ and Beyond: From Frank Burty Haviland’s Collection to John Quinn’s  Christel H. Force Part 2: From Paris to New York—A Gallery in Transition, 1914– 4 Joseph Brummer and the Flourishing of Byzantine Art History  Elizabeth Dospěl Williams 5 Pioneers or Followers? The Brummer Brothers and Egyptian Art, 1910–1922  Tom Hardwick 6 Curiosités at Brummers  Julie Jones Part 3: New York—The Triumphant Years 7 The Brummer Gallery and Medieval Art in America, 1914–1947  Christine E. Brennan 8 The Brummer Gallery and the Conservation of Medieval Sculptures in the Early Decades of the Twentieth Century  Lucretia Kargère 9 Joseph Brummer, the Met, and Classical Antiquities in the United States  Maya Muratov 10 The Brummer Gallery and the Making of Iranian and Islamic Arts  Anne Dunn-Vaturi and Martina Rugiadi Part 4: Direct Witnesses Appendix A Interview with John Laszlo Appendix B Interview with Richard S. Brummer (1924–2022) Appendix C Curatorial Reflections on the Brummer Gallery, Joseph, Ernest, and Ella Baché Brummer  William D. Wixom Index

The Brummer Galleries, Paris and New York: Defining Taste from Antiquities to the Avant-Garde

    Product form

    £158.40

    Includes FREE delivery

    Order before 4pm today for delivery by Wed 24 Jun 2026.

    A Hardback by Yaëlle Biro, Christine Brennan, Christel H. Force

    Out of stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of The Brummer Galleries, Paris and New York: Defining Taste from Antiquities to the Avant-Garde by Yaëlle Biro

      Publisher: Brill
      Publication Date: 18/05/2023
      ISBN13: 9789004539648, 978-9004539648
      ISBN10:
      Also in:
      History of art

      Description

      Book Synopsis
      This is the first thorough investigation of the Brummer brothers’ remarkable career as dealers in antiques, curiosities and modernism in Paris and New York over six decades (1906-1964). A dozen specialists aggregate their expertise to explore extant dealer records and museum archives, parse the wide-ranging Brummer stock, and assess how objects were sourced, marketed, labelled, restored, and displayed. The research provides insights into emerging collecting fields as they crystallised, at the crossroads between market and museum. It questions the trope of the tastemaker; the translocation of material culture, and the dealers’ prolific relationships with illustrious collectors, curators, scholars, artists, and fellow dealers.

      Table of Contents
      List of Figures and Tables Contributors Introduction  Christel H. Force, Yaëlle Biro and Christine E. Brennan 1 The Brummer Galleries: A Chronology  Christel H. Force Part 1: A Family Affair—The Brummers and Art Dealing in Paris, 1906–1914 2 Innate Taste or Construction of the Gaze: Joseph Brummer and the Promotion of the African Object as Art  Yaëlle Biro 3 Picassos at ‘Brummer Frères—Curiosités’ and Beyond: From Frank Burty Haviland’s Collection to John Quinn’s  Christel H. Force Part 2: From Paris to New York—A Gallery in Transition, 1914– 4 Joseph Brummer and the Flourishing of Byzantine Art History  Elizabeth Dospěl Williams 5 Pioneers or Followers? The Brummer Brothers and Egyptian Art, 1910–1922  Tom Hardwick 6 Curiosités at Brummers  Julie Jones Part 3: New York—The Triumphant Years 7 The Brummer Gallery and Medieval Art in America, 1914–1947  Christine E. Brennan 8 The Brummer Gallery and the Conservation of Medieval Sculptures in the Early Decades of the Twentieth Century  Lucretia Kargère 9 Joseph Brummer, the Met, and Classical Antiquities in the United States  Maya Muratov 10 The Brummer Gallery and the Making of Iranian and Islamic Arts  Anne Dunn-Vaturi and Martina Rugiadi Part 4: Direct Witnesses Appendix A Interview with John Laszlo Appendix B Interview with Richard S. Brummer (1924–2022) Appendix C Curatorial Reflections on the Brummer Gallery, Joseph, Ernest, and Ella Baché Brummer  William D. Wixom Index

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account