Description

Book Synopsis
The essential roadmap to the ideas and debates that have formed the history of art, told through 16 key books published over the course of the 20th century.

Trade Review
'A thrilling account of the history of art in the 20th century … an expertly guided tour along a rather marvellous scenic route' - Guardian
'A pageant of influential art historians of the twentieth century … if you are keen on art history and like parades, you will love this book … the essays are models of intelligent compression and lively instruction … this fascinating collection is worth reading for many reasons' - RA Magazine
'A wonderful book that will be enjoyed by all who have a deep interest in the practice of art history' - Cassone

Table of Contents
Preface • Introduction • ‘Émile Mâle, L’art religieux du XIIIe siècle en France, 1898’ by Alexandra Gajewski • ‘Bernard Berenson, The Drawings of the Florentine Painters, 1903’ by Carmen C. Bambach • ‘Heinrich Wölfflin, Kunstgeschichtliche Grundbegriffe, 1915’ by David Summers • ‘Roger Fry, Cézanne: A Study of His Development, 1927’ by Richard Verdi • ‘Nikolaus Pevsner, Pioneers of the Modern Movement, 1936’ by Colin Amery • ‘Alfred H. Barr, Jr., Matisse: His Art and His Public, 1951’ by John Elderfield • ‘Erwin Panofsky, Early Netherlandish Painting: Its Origins and Character, 1953’ by Susie Nash • ‘Kenneth Clark, The Nude: A Study of Ideal Art, 1956’ by John-Paul Stonard • ‘E. H. Gombrich, Art and Illusion, 1960’ by Christopher S. Wood • ‘Clement Greenberg, Art and Culture, 1961’ by Boris Groys • ‘Francis Haskell, A Study in the Relations between Italian Art and Society in the Age of the Baroque, 1963’ by Louise Rice • ‘Michael Baxandall, Painting and Experience in Fifteenth-Century Italy, 1972’ by Paul Hills • ‘T. J. Clark, Image of the People: Gustave Courbet and the 1848 Revolution, 1973’ by Alastair Wright • ‘Svetlana Alpers, The Art of Describing: Dutch Art in the Seventeenth Century, 1983’ by Mariët Westermann • ‘Rosalind Krauss, The Originality of the Avant-Garde and Other Modernist Myths, 1985’ by Anna Lovatt • ‘Hans Belting, Bild und Kult, 1990’ by Jeffrey Hamburger • Notes • Bibliographical essays • Author Biographies

The Books that Shaped Art History From Gombrich

Product form

£16.99

Includes FREE delivery

RRP £19.99 – you save £3.00 (15%)

Order before 4pm tomorrow for delivery by Fri 19 Dec 2025.

A Paperback / softback by Richard Shone, John-Paul Stonard

15 in stock


    View other formats and editions of The Books that Shaped Art History From Gombrich by Richard Shone

    Publisher: Thames & Hudson Ltd
    Publication Date: 20/07/2017
    ISBN13: 9780500293027, 978-0500293027
    ISBN10: 0500293023

    Description

    Book Synopsis
    The essential roadmap to the ideas and debates that have formed the history of art, told through 16 key books published over the course of the 20th century.

    Trade Review
    'A thrilling account of the history of art in the 20th century … an expertly guided tour along a rather marvellous scenic route' - Guardian
    'A pageant of influential art historians of the twentieth century … if you are keen on art history and like parades, you will love this book … the essays are models of intelligent compression and lively instruction … this fascinating collection is worth reading for many reasons' - RA Magazine
    'A wonderful book that will be enjoyed by all who have a deep interest in the practice of art history' - Cassone

    Table of Contents
    Preface • Introduction • ‘Émile Mâle, L’art religieux du XIIIe siècle en France, 1898’ by Alexandra Gajewski • ‘Bernard Berenson, The Drawings of the Florentine Painters, 1903’ by Carmen C. Bambach • ‘Heinrich Wölfflin, Kunstgeschichtliche Grundbegriffe, 1915’ by David Summers • ‘Roger Fry, Cézanne: A Study of His Development, 1927’ by Richard Verdi • ‘Nikolaus Pevsner, Pioneers of the Modern Movement, 1936’ by Colin Amery • ‘Alfred H. Barr, Jr., Matisse: His Art and His Public, 1951’ by John Elderfield • ‘Erwin Panofsky, Early Netherlandish Painting: Its Origins and Character, 1953’ by Susie Nash • ‘Kenneth Clark, The Nude: A Study of Ideal Art, 1956’ by John-Paul Stonard • ‘E. H. Gombrich, Art and Illusion, 1960’ by Christopher S. Wood • ‘Clement Greenberg, Art and Culture, 1961’ by Boris Groys • ‘Francis Haskell, A Study in the Relations between Italian Art and Society in the Age of the Baroque, 1963’ by Louise Rice • ‘Michael Baxandall, Painting and Experience in Fifteenth-Century Italy, 1972’ by Paul Hills • ‘T. J. Clark, Image of the People: Gustave Courbet and the 1848 Revolution, 1973’ by Alastair Wright • ‘Svetlana Alpers, The Art of Describing: Dutch Art in the Seventeenth Century, 1983’ by Mariët Westermann • ‘Rosalind Krauss, The Originality of the Avant-Garde and Other Modernist Myths, 1985’ by Anna Lovatt • ‘Hans Belting, Bild und Kult, 1990’ by Jeffrey Hamburger • Notes • Bibliographical essays • Author Biographies

    Recently viewed products

    © 2025 Book Curl

      • American Express
      • Apple Pay
      • Diners Club
      • Discover
      • Google Pay
      • Maestro
      • Mastercard
      • PayPal
      • Shop Pay
      • Union Pay
      • Visa

      Login

      Forgot your password?

      Don't have an account yet?
      Create account