Description

Book Synopsis

How many “bodies” does a queen have? What is the significance of multiple “bodies”? How has the gendered body been constructed and perceived within the context of the European courts during the course of the past five centuries? These are some of the questions addressed in this anthology, a contribution to the ongoing debate provoked by Ernst H. Kantorowicz in his seminal work from 1957, The King’s Two Bodies. On the basis of both textual self-presentations and visual representations a gradual transformation of the queen appears: A sacred/providential figure in medieval and early modern period, an ideal bourgeois wife during the late-18th and 19th Centuries, and a star-like (re-) presentation of royalty during the past century. Twentieth-century mass media has produced the celebrity and film star queens personified by the contested and enigmatic Nefertiti of ancient Egypt, the mysterious Elizabeth (Sisi) of Austria, Grace Kelly as Queen of both Hollywood and Monaco and Romy Schneider as the invented Empress.



Trade Review

“This book is a welcome…contribution to the growing literature on queens. That it scrutinizes so many queens in so many different contexts will give this collection broad appeal and make it appropriate reading in university courses devoted to gender and power.” · Francia



Table of Contents

List of Illustrations
Foreword
List of Contributors

Chapter 1. Introduction: Conceptual Approaches to the Queen’s Body
Regina Schulte

PART I: CONSTRUCTING THE BODY POLITIC

Chapter 2. How Two Ladies Steal a Crown: The Memoirs of Helene Kottannerin (1439–40) at the Court of Queen Elisabeth of Hungary (1409–42)
Horst Wenzel

Chapter 3. Elizabeth When a Princess: Early Self-representations in a Portrait and a Letter
Susan Frye

Chapter 4. Elizabeth through the Looking Glass: Picturing the Queen’s Two Bodies
Louis Montrose

Chapter 5. Royal Flesh, Gender and the Construction of Monarchy
Rachel Weil

PART II: TRANSGRESSING THE BODY NATURAL

Chapter 6. What the King Saw in the Belly of the Beast or How the Lion Got in the Queen: Allegories of Royal Procreation in the 1622 Royal Entry into Lyon
Abby E. Zanger

Chapter 7. Posterity and the Body of the Princess in German Court Funeral Books
Jill Bepler

Chapter 8. ‘Madame, Ma Chère Fille’ – ‘Dearest Child’: Letters from Imperial Mothers to Royal Daughters
Regina Schulte

PART III: QUEENS OF MODERNITY

Chapter 9. Queen Margherita (1851–1926): 'The Only Man in the House of Savoy'
Catherine Brice

Chapter 10. The Double Skin: Imperial Fashion in the Nineteenth Century
Juliane Vogel

Chapter 11. Theatrical Monarchy: The Making of Victoria, the Modern Family Queen
Bernd Weisbrod

Chapter 12. The Unmanly Emperor: Wilhelm II and the Fragility of the Royal Individual
Martin Kohlrausch

PART IV: VISUAL METAMORPHOSES

Chapter 13. The ‘Berlin’ Nefertiti Bust: Imperial Fantasies in Twentieth-Century German Archaeological Discourse
Claudia Breger

Chapter 14. Imagined Queens between Heaven and Hell: Representations of Grace Kelly and Romy Schneider
Alexis Schwarzenbach

Chapter 15. Queer Queen: Elizabeth I in Sally Potter’s Film Orlando
Katharina Sykora

Bibliography
Index

The Body of the Queen: Gender and Rule in the

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    A Paperback / softback by Regina Schulte

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      View other formats and editions of The Body of the Queen: Gender and Rule in the by Regina Schulte

      Publisher: Berghahn Books
      Publication Date: 01/04/2006
      ISBN13: 9781845451592, 978-1845451592
      ISBN10: 1845451597

      Description

      Book Synopsis

      How many “bodies” does a queen have? What is the significance of multiple “bodies”? How has the gendered body been constructed and perceived within the context of the European courts during the course of the past five centuries? These are some of the questions addressed in this anthology, a contribution to the ongoing debate provoked by Ernst H. Kantorowicz in his seminal work from 1957, The King’s Two Bodies. On the basis of both textual self-presentations and visual representations a gradual transformation of the queen appears: A sacred/providential figure in medieval and early modern period, an ideal bourgeois wife during the late-18th and 19th Centuries, and a star-like (re-) presentation of royalty during the past century. Twentieth-century mass media has produced the celebrity and film star queens personified by the contested and enigmatic Nefertiti of ancient Egypt, the mysterious Elizabeth (Sisi) of Austria, Grace Kelly as Queen of both Hollywood and Monaco and Romy Schneider as the invented Empress.



      Trade Review

      “This book is a welcome…contribution to the growing literature on queens. That it scrutinizes so many queens in so many different contexts will give this collection broad appeal and make it appropriate reading in university courses devoted to gender and power.” · Francia



      Table of Contents

      List of Illustrations
      Foreword
      List of Contributors

      Chapter 1. Introduction: Conceptual Approaches to the Queen’s Body
      Regina Schulte

      PART I: CONSTRUCTING THE BODY POLITIC

      Chapter 2. How Two Ladies Steal a Crown: The Memoirs of Helene Kottannerin (1439–40) at the Court of Queen Elisabeth of Hungary (1409–42)
      Horst Wenzel

      Chapter 3. Elizabeth When a Princess: Early Self-representations in a Portrait and a Letter
      Susan Frye

      Chapter 4. Elizabeth through the Looking Glass: Picturing the Queen’s Two Bodies
      Louis Montrose

      Chapter 5. Royal Flesh, Gender and the Construction of Monarchy
      Rachel Weil

      PART II: TRANSGRESSING THE BODY NATURAL

      Chapter 6. What the King Saw in the Belly of the Beast or How the Lion Got in the Queen: Allegories of Royal Procreation in the 1622 Royal Entry into Lyon
      Abby E. Zanger

      Chapter 7. Posterity and the Body of the Princess in German Court Funeral Books
      Jill Bepler

      Chapter 8. ‘Madame, Ma Chère Fille’ – ‘Dearest Child’: Letters from Imperial Mothers to Royal Daughters
      Regina Schulte

      PART III: QUEENS OF MODERNITY

      Chapter 9. Queen Margherita (1851–1926): 'The Only Man in the House of Savoy'
      Catherine Brice

      Chapter 10. The Double Skin: Imperial Fashion in the Nineteenth Century
      Juliane Vogel

      Chapter 11. Theatrical Monarchy: The Making of Victoria, the Modern Family Queen
      Bernd Weisbrod

      Chapter 12. The Unmanly Emperor: Wilhelm II and the Fragility of the Royal Individual
      Martin Kohlrausch

      PART IV: VISUAL METAMORPHOSES

      Chapter 13. The ‘Berlin’ Nefertiti Bust: Imperial Fantasies in Twentieth-Century German Archaeological Discourse
      Claudia Breger

      Chapter 14. Imagined Queens between Heaven and Hell: Representations of Grace Kelly and Romy Schneider
      Alexis Schwarzenbach

      Chapter 15. Queer Queen: Elizabeth I in Sally Potter’s Film Orlando
      Katharina Sykora

      Bibliography
      Index

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