Description

Book Synopsis

In The Black God Trope and Rhetorical Resistance: A Tradition of Race and Religion, Armondo R. Collins theorizes Black Nationalist rhetorical strategies as an avenue to better understanding African American communication practices. The author demonstrates how black rhetors using writing about God to create a language that reflects African Americans’ shifting subjectivity within the American experience. This book highlights how the Black God trope and Black Nationalist religious rhetoric function as an embodied rhetoric. Collins also addresses how the Black God trope functions as a gendered critique of white western patriarchy, to demonstrate how an ideological position like womanism is voiced by authors using the Black God trope as a means of public address. Scholars of rhetoric, African American literature, and religious studies will find this book of particular interest.



Trade Review

"The Black God Trope is the apogee of rhetorical examinations regarding Black nationalism and religion, particularly how the divine is used as ethos, authority, and resistance. Collins incisively synthesizes centuries of Black rhetorical tradition in the United States - from early orators in the pulpit and at the lyceum to contemporary literary geniuses - as he concomitantly analyzes the nuances of such texts. This volume demonstrates not just the power of the divine as a rhetorical trope for resistance, but it also centers its dynamism as an epistemology for living - for community, for agency, for survival. In the same way liberation theologists have contributed to a deeper, more reflexive understanding of religion, so too does Collins provide a vigorous and fresh mapping of Black nationalism for rhetorical studies."

-- Jason Edward Black, University of North Carolina at Charlotte

Table of Contents

Table of Contents

Acknowledgments

Chapter 1: The Black God Trope and Enthymematic Blackness

Chapter 2: Proto-Black Nationalism: Early Black Church Lore as Rhetorical Performance and Resistance

Chapter 3: A Message to the Blackman in America: Elijah Muhamad’s Influential Religious Rhetoric

Chapter 4: Clarence 13x’s Black God Ethos and the Rhetorical Challenge of the Five Percent

Chapter 5: The Black God Trope in the Novel: A Message From the Black Woman in America

Chapter 6: Alice Walker’s Womanist Black God Trope in The Color Purple

Chapter 7: The Black God Trope as Rhetorical Pedagogy

Bibliography

About the Author

The Black God Trope and Rhetorical Resistance: A

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    A Hardback by Armondo R. Collins

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      Publisher: Lexington Books
      Publication Date: 04/05/2023
      ISBN13: 9781666921564, 978-1666921564
      ISBN10: 1666921564

      Description

      Book Synopsis

      In The Black God Trope and Rhetorical Resistance: A Tradition of Race and Religion, Armondo R. Collins theorizes Black Nationalist rhetorical strategies as an avenue to better understanding African American communication practices. The author demonstrates how black rhetors using writing about God to create a language that reflects African Americans’ shifting subjectivity within the American experience. This book highlights how the Black God trope and Black Nationalist religious rhetoric function as an embodied rhetoric. Collins also addresses how the Black God trope functions as a gendered critique of white western patriarchy, to demonstrate how an ideological position like womanism is voiced by authors using the Black God trope as a means of public address. Scholars of rhetoric, African American literature, and religious studies will find this book of particular interest.



      Trade Review

      "The Black God Trope is the apogee of rhetorical examinations regarding Black nationalism and religion, particularly how the divine is used as ethos, authority, and resistance. Collins incisively synthesizes centuries of Black rhetorical tradition in the United States - from early orators in the pulpit and at the lyceum to contemporary literary geniuses - as he concomitantly analyzes the nuances of such texts. This volume demonstrates not just the power of the divine as a rhetorical trope for resistance, but it also centers its dynamism as an epistemology for living - for community, for agency, for survival. In the same way liberation theologists have contributed to a deeper, more reflexive understanding of religion, so too does Collins provide a vigorous and fresh mapping of Black nationalism for rhetorical studies."

      -- Jason Edward Black, University of North Carolina at Charlotte

      Table of Contents

      Table of Contents

      Acknowledgments

      Chapter 1: The Black God Trope and Enthymematic Blackness

      Chapter 2: Proto-Black Nationalism: Early Black Church Lore as Rhetorical Performance and Resistance

      Chapter 3: A Message to the Blackman in America: Elijah Muhamad’s Influential Religious Rhetoric

      Chapter 4: Clarence 13x’s Black God Ethos and the Rhetorical Challenge of the Five Percent

      Chapter 5: The Black God Trope in the Novel: A Message From the Black Woman in America

      Chapter 6: Alice Walker’s Womanist Black God Trope in The Color Purple

      Chapter 7: The Black God Trope as Rhetorical Pedagogy

      Bibliography

      About the Author

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