Description

Book Synopsis
This revolutionary study presents new facts and an original theory about the source of the thought and literature which are termed `modern''.Using fifty-one new translations of sonnets from four languages spanning more than seven centuries, Oppenheimer argues that modern thought and literature were born with the invention of the sonnet in thirteenth-century Italy. In revealing the sonnet as the first lyric form since the fall of the Roman Empire meant not for music or performance but for silent reading, the book demonstrates that the sonnet was the first modern literary form deliberately intended to portray the self in conflict and to explore self-consciousness.Professor Oppenheimer traces the influences of the sonnet, as invented by Giacomo da Lentino, combining historical fact with the history of ideas and literary criticism. He illustrates, in bilingual format, the sonnet''s growing appeal and variety during the centuries that followed, with translations from Italian, German, French

Trade Review
'Paul Oppenheimer has written a learned, well-tempered and fascinating book about the sonnet. This book is a cunningly constructed homage to its ostensible subject. Oppenheimer, the poet and the scholar, join hands to translate a book and a sonnet.' Anthony Rudolf, Chapman 60'

The Birth of the Modern Mind

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    A Hardback by Paul Oppenheimer

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      Publisher: Oxford University Press, USA
      Publication Date: 8/31/1989 12:00:00 AM
      ISBN13: 9780195056921, 978-0195056921
      ISBN10: 0195056922

      Description

      Book Synopsis
      This revolutionary study presents new facts and an original theory about the source of the thought and literature which are termed `modern''.Using fifty-one new translations of sonnets from four languages spanning more than seven centuries, Oppenheimer argues that modern thought and literature were born with the invention of the sonnet in thirteenth-century Italy. In revealing the sonnet as the first lyric form since the fall of the Roman Empire meant not for music or performance but for silent reading, the book demonstrates that the sonnet was the first modern literary form deliberately intended to portray the self in conflict and to explore self-consciousness.Professor Oppenheimer traces the influences of the sonnet, as invented by Giacomo da Lentino, combining historical fact with the history of ideas and literary criticism. He illustrates, in bilingual format, the sonnet''s growing appeal and variety during the centuries that followed, with translations from Italian, German, French

      Trade Review
      'Paul Oppenheimer has written a learned, well-tempered and fascinating book about the sonnet. This book is a cunningly constructed homage to its ostensible subject. Oppenheimer, the poet and the scholar, join hands to translate a book and a sonnet.' Anthony Rudolf, Chapman 60'

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