Description

Book Synopsis
The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the family''s collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of prin

Trade Review

"The visual image and its manipulation through bodily activities and tools seem to provide the crucial in-between, a different form of reading in which the senses are actively employed. The Bible and the Printed Image in Early Modern England thus offers yet another concept of what reading can be, and makes a contribution to the heterogeneous histories of early-modern reading that are so crucial to the study of print culture. ...What is distinctive about this book and what prevents it from fitting into traditional categories of knowledge, is precisely what makes it such a productive example of the potential of print culture."

--CAA Reviews



Table of Contents

List of Illustrations
Acknowledgements

Introduction: thinking like a rattle head

Chapter 1: Rend and Repair: print culture, female handiwork, and the making of the concordances

Chapter 2: The word made flesh: thinking incarnationally with scripture

Chapter 3: Between the law and the gospel: thinking figurally with scripture

Appendix: inventory of the known Little Gidding concordances

Bibliography
Index

The Bible and the Printed Image in Early Modern

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    A Hardback by Michael Gaudio

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      View other formats and editions of The Bible and the Printed Image in Early Modern by Michael Gaudio

      Publisher: Taylor & Francis Ltd
      Publication Date: 05/07/2016
      ISBN13: 9781472460462, 978-1472460462
      ISBN10: 1472460464

      Description

      Book Synopsis
      The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the family''s collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of prin

      Trade Review

      "The visual image and its manipulation through bodily activities and tools seem to provide the crucial in-between, a different form of reading in which the senses are actively employed. The Bible and the Printed Image in Early Modern England thus offers yet another concept of what reading can be, and makes a contribution to the heterogeneous histories of early-modern reading that are so crucial to the study of print culture. ...What is distinctive about this book and what prevents it from fitting into traditional categories of knowledge, is precisely what makes it such a productive example of the potential of print culture."

      --CAA Reviews



      Table of Contents

      List of Illustrations
      Acknowledgements

      Introduction: thinking like a rattle head

      Chapter 1: Rend and Repair: print culture, female handiwork, and the making of the concordances

      Chapter 2: The word made flesh: thinking incarnationally with scripture

      Chapter 3: Between the law and the gospel: thinking figurally with scripture

      Appendix: inventory of the known Little Gidding concordances

      Bibliography
      Index

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