Description
Book SynopsisUp to the twelfth century writing in the western vernaculars dealt almost exclusively with religious, historical and factual themes, all of which were held to convey the truth. The second half of the twelfth century saw the emergence of a new genre, the romance, which was consciously conceived as fictional and therefore allowed largely to break free from traditional presuppositions. Dennis Green explores how and why this happened, and examines this period of crucial importance for the birth of the romance and the genesis of medieval fiction in the vernacular. Although the crucial innovative role of writers in Germany is Green's main concern, he also takes literature in Latin, French and Anglo-Norman into account. This study offers a definition of medieval fictionality in its first formative period in the twelfth century, and underlines the difficulties encountered in finding a place for the fictional romance within earlier literary traditions.
Trade Review'Green's is a comparative, pan-European approach never neglectful of literary developments and textual examples … but also … Green is a true pleasure to read: his manner is unvaryingly straightforward and robust; the perfect mastery with which he develops an argument allows for no loose ends, neither from one paragraph to the next nor from chapter to chapter.' Dalhousie French Studies
Table of ContentsPreface; List of abbreviations; 1. Defining twelfth-century fictionality; 2. Vernacular fiction in the twelfth century; 3. Fictive orality; 4. Fiction and Wolfram's Parzival; 5. Fiction and structure; 6. Fiction and history; Notes; Bibliography; Index of names.
