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Book Synopsis

Contemporary art, entertainment, and architecture cultures offer a growing amount of digitally mediated spatial experiences, situated either in the metaverse (e.g. VR) or location-based in physical realms (e.g. AR), increasingly powered by generative systems (e.g. AI). Are such spatially âœimmersive experiencesâ a new phenomenon and dependent on digital innovation?

The Art of Spatial Illusion: Immersive Encounters between People, Media, and Place is an insightful exploration of the evolving relationship between humans, media, and spatial environments, tracing their progression from the Renaissance, via Modernity and Postmodernity, to todayâs digital age. The author offers a compelling reading and re-evaluation of architectural history and media theory, drawing connections between historical practices, technological innovations, and contemporary immersive experiences.

Inspired by scholars such as Walter Benjamin and Jean Baudrillard, the book discusses how technolo

The Art of Spatial Illusion

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    Order before 4pm today for delivery by Fri 12 Jun 2026.

    A Paperback by Richard Koeck

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      View other formats and editions of The Art of Spatial Illusion by Richard Koeck

      Publisher: Taylor & Francis
      Publication Date: 12/16/2024
      ISBN13: 9781138045569, 978-1138045569
      ISBN10: 113804556X

      Description

      Book Synopsis

      Contemporary art, entertainment, and architecture cultures offer a growing amount of digitally mediated spatial experiences, situated either in the metaverse (e.g. VR) or location-based in physical realms (e.g. AR), increasingly powered by generative systems (e.g. AI). Are such spatially âœimmersive experiencesâ a new phenomenon and dependent on digital innovation?

      The Art of Spatial Illusion: Immersive Encounters between People, Media, and Place is an insightful exploration of the evolving relationship between humans, media, and spatial environments, tracing their progression from the Renaissance, via Modernity and Postmodernity, to todayâs digital age. The author offers a compelling reading and re-evaluation of architectural history and media theory, drawing connections between historical practices, technological innovations, and contemporary immersive experiences.

      Inspired by scholars such as Walter Benjamin and Jean Baudrillard, the book discusses how technolo

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