Description

Book Synopsis
From novelists to political cartoonists, artists have long brought a unique perspective to important public discussions of social and political issues. Yet, fury and debate over the role of the artist has resulted in blacklisting, banning, and symbolically burning artists who use their work as a means of social critique and social change. The Art of Social Critique makes a case for the complexity of artistic ways of seeing social life observing, analyzing and portraying society by examining the interdisciplinary nature of imagination. The authors cover a range of novelists, painters, musicians, cartoonists, poets and others whose explorations of the human condition directly connect to complex methods of social inquiry often associated with other disciplines. Specific parallels are drawn between the social sciences and the theories, lenses, and aesthetics that allow these artists to gain a clearer view of social life. Artistic techniques, such as metaphor, caricature, and irony, are e

Trade Review
The Art of Social Critique: Painting Mirrors of Social Life is a welcome addition to the literature on the arts and social change. Unusually wide-ranging in the art forms and topics it covers, and filled with useful insights, this anthology should prove of great interest to scholars and students in American studies, ethnic and gender studies, sociology, the fine arts and literary/cultural studies. -- T. V. Reed, author of The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle
What a marvelous journey this book is. These encounters with the likes of Jack Kerouac, James Baldwin, Frank Lloyd Wright, Richard Pryor, Tori Amos, and "The Wire", are all potent reminders that our art is the enduring and essential mirror we need to make sense and meaning in the world. The Art of Social Critique, is both inspiring and entertaining. Read and weep, read and laugh, read and be provoked. -- William Cleveland, author of Art and Upheaval and Between Grace and Fear: The Role of the Arts in a Time of Change
Shawn Bingham’s The Art of Social Critique: Painting Mirrors of Social Life is a tour de force of how artists of all kinds use their talents, skills, and visions to embrace, interpret, and change the world. This collection of essays proves without a doubt that artists play crucial roles in the politics of cultural values and norms, not just policy and protest. Thus, these articles go beyond the clichéd debate over whether artists should be political—their work is inevitably and inescapably political. Instead this book investigates the myriad ways in which artists are sociological in their representations of and conversations with the social world. From architecture to poetry, from stand-up comedy to rock music, Bingham’s anthology will give readers an array of tools for investigating how art and artists provide us with the most powerful interdisciplinary depictions of our life and times—something all students of the social world will want to know. -- Corey Dolgon, Worcester State College

Table of Contents
Introduction Seeing Beyond the Verge of Sight: Imagination(s) and Social Inquiry Shawn Chandler Bingham Part I. Novel Visions Chapter 1: Sociology on the Road: The Sociological Imagination of Jack Kerouac Valerie Chepp and Paul Dean Chapter 2: Jean Genet: A Case Study of the Artist’s Explication and Alteration of Social Practice William Koch Chapter 3: James Baldwin: The Novelist as Historian and Public Intellectual Brent Lamons Part II. Poetic Inquiry Chapter 4: Carolyn Forché and the Fraught Nature of Poetic Witness Andrea Scarpino Chapter 5: American Poetry: Process as Vision Gregg Mosson Part III. Building Social Structures Chapter 6: Frank Lloyd Wright: Building an American Architecture from Within Outward Gail Satler Chapter 7: The Architect as “Molder of the Sensibilities of the General Public”: Bruno Taut and his Architekturprogramm Markus Breitschmid Part IV. Painting Mirrors Chapter 8: Tellin’ It Like It Is: Social Realism and the Art of Aaron Douglas Damon Powell Chapter 9: Political Cartoons: Artful Commentary Elaine Miller Chapter 10: Mourning America’s War Harms: Alan Magee’s Trauerbeit Robert Stanton Image Gallery Part V. Performing Life Chapter 11: Other People’s Dancers: Paul Taylor’s Choreography by Messenger Paul Rutz Chapter 12: Reconceptualization through Theater: Reflections on Mirror Theatre’s “(Re)Productions Joe Norris Chapter 13: Standing Up Racism: Richard Pryor and the Development of a Contentious Racial Politics James Michael Thomas Part VI. Sounding Off Chapter 14: Learning from Lennon: Using Songs and Stardom to Promote Peace and Justice James R. Pennell Chapter 15: “She is Risen”: Creating Feminist Identities and Challenging Patriarchy through the Music of Tori Amos Adrienne Trier-Bieniek and Patricia Leavy Chapter 16: Propagandhi and the Politics of Subcultural Resistance Philip G. Lewin and Timothy M. Gill Part VII. Reel Life Chapter 17: Staging Truth: Errol Morris’s Pursuit of the Objective in the Subjective Jared Del Rosso

The Art of Social Critique

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    A Hardback by Sven Arvidson, Markus Breitschmid

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      Publisher: Rlpg/Galleys
      Publication Date: 2/2/2012 12:00:00 AM
      ISBN13: 9780739149232, 978-0739149232
      ISBN10: 0739149237

      Description

      Book Synopsis
      From novelists to political cartoonists, artists have long brought a unique perspective to important public discussions of social and political issues. Yet, fury and debate over the role of the artist has resulted in blacklisting, banning, and symbolically burning artists who use their work as a means of social critique and social change. The Art of Social Critique makes a case for the complexity of artistic ways of seeing social life observing, analyzing and portraying society by examining the interdisciplinary nature of imagination. The authors cover a range of novelists, painters, musicians, cartoonists, poets and others whose explorations of the human condition directly connect to complex methods of social inquiry often associated with other disciplines. Specific parallels are drawn between the social sciences and the theories, lenses, and aesthetics that allow these artists to gain a clearer view of social life. Artistic techniques, such as metaphor, caricature, and irony, are e

      Trade Review
      The Art of Social Critique: Painting Mirrors of Social Life is a welcome addition to the literature on the arts and social change. Unusually wide-ranging in the art forms and topics it covers, and filled with useful insights, this anthology should prove of great interest to scholars and students in American studies, ethnic and gender studies, sociology, the fine arts and literary/cultural studies. -- T. V. Reed, author of The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle
      What a marvelous journey this book is. These encounters with the likes of Jack Kerouac, James Baldwin, Frank Lloyd Wright, Richard Pryor, Tori Amos, and "The Wire", are all potent reminders that our art is the enduring and essential mirror we need to make sense and meaning in the world. The Art of Social Critique, is both inspiring and entertaining. Read and weep, read and laugh, read and be provoked. -- William Cleveland, author of Art and Upheaval and Between Grace and Fear: The Role of the Arts in a Time of Change
      Shawn Bingham’s The Art of Social Critique: Painting Mirrors of Social Life is a tour de force of how artists of all kinds use their talents, skills, and visions to embrace, interpret, and change the world. This collection of essays proves without a doubt that artists play crucial roles in the politics of cultural values and norms, not just policy and protest. Thus, these articles go beyond the clichéd debate over whether artists should be political—their work is inevitably and inescapably political. Instead this book investigates the myriad ways in which artists are sociological in their representations of and conversations with the social world. From architecture to poetry, from stand-up comedy to rock music, Bingham’s anthology will give readers an array of tools for investigating how art and artists provide us with the most powerful interdisciplinary depictions of our life and times—something all students of the social world will want to know. -- Corey Dolgon, Worcester State College

      Table of Contents
      Introduction Seeing Beyond the Verge of Sight: Imagination(s) and Social Inquiry Shawn Chandler Bingham Part I. Novel Visions Chapter 1: Sociology on the Road: The Sociological Imagination of Jack Kerouac Valerie Chepp and Paul Dean Chapter 2: Jean Genet: A Case Study of the Artist’s Explication and Alteration of Social Practice William Koch Chapter 3: James Baldwin: The Novelist as Historian and Public Intellectual Brent Lamons Part II. Poetic Inquiry Chapter 4: Carolyn Forché and the Fraught Nature of Poetic Witness Andrea Scarpino Chapter 5: American Poetry: Process as Vision Gregg Mosson Part III. Building Social Structures Chapter 6: Frank Lloyd Wright: Building an American Architecture from Within Outward Gail Satler Chapter 7: The Architect as “Molder of the Sensibilities of the General Public”: Bruno Taut and his Architekturprogramm Markus Breitschmid Part IV. Painting Mirrors Chapter 8: Tellin’ It Like It Is: Social Realism and the Art of Aaron Douglas Damon Powell Chapter 9: Political Cartoons: Artful Commentary Elaine Miller Chapter 10: Mourning America’s War Harms: Alan Magee’s Trauerbeit Robert Stanton Image Gallery Part V. Performing Life Chapter 11: Other People’s Dancers: Paul Taylor’s Choreography by Messenger Paul Rutz Chapter 12: Reconceptualization through Theater: Reflections on Mirror Theatre’s “(Re)Productions Joe Norris Chapter 13: Standing Up Racism: Richard Pryor and the Development of a Contentious Racial Politics James Michael Thomas Part VI. Sounding Off Chapter 14: Learning from Lennon: Using Songs and Stardom to Promote Peace and Justice James R. Pennell Chapter 15: “She is Risen”: Creating Feminist Identities and Challenging Patriarchy through the Music of Tori Amos Adrienne Trier-Bieniek and Patricia Leavy Chapter 16: Propagandhi and the Politics of Subcultural Resistance Philip G. Lewin and Timothy M. Gill Part VII. Reel Life Chapter 17: Staging Truth: Errol Morris’s Pursuit of the Objective in the Subjective Jared Del Rosso

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