Description

Book Synopsis
Neuhaus taught at the Moscow Conservatory and his pupils included some of the greatest pianists of the twentieth century: Emil Gilels, Sviatoslav Richter, Nina Svetlanova, Alexei Lubimov and Radu Lupu. His legacy continues today and many teachers around the world regard this book as the most authoritative on the subject of piano playing.

Trade Review
‘This book is arguably the best single book on piano playing, which it discusses in every aspect from the physical to the philosophical. It is a mine of information and anecdote, and no serious pianist should be without it on their bookshelf.’ Graham Fitch – practisingthepiano.com; ‘I can unreservedly recommend this book. It contains not a single wrong or questionable remark, and is eminently practical. Three or four lines of print might suddenly open the eyes of this or that pupil, and change his whole career for the better ... in sum, a must.’ Paul Hamburger; ‘Heinrich Neuhaus’ … legacy continues today – through his pupils, his grand-pupils, great-grand pupils, and through the many teachers around the world who regard his book as the most authoritative on the subject of piano playing.’ Francis Wilson – crosseyedpianist.com; ‘I have come to the conclusion that The Art of Piano Playing by Heinrich Neuhaus is essential reading for pianists. I highly recommend getting hold of this book and taking the time to read it carefully. Don’t be afraid to take notes! Many of Neuhaus’ perspectives really opened my eyes.’ Tommy Doyle – tommyspianocorner.com

Table of Contents
Introduction, Preface to Second Edition, In Lieu of a Preface, 1. The Artistic Image of a Musical Composition, 2. A Word or Two about Rhythm, 3. On Tone, 4. On Technique, 4.1 General Considerations, 4.2 Confidence as a Basis for Freedom, 4.3 The Locomotor System, 4.4 On Freedom, 4.5 On Fingering, 4.6 The Pedal, 5. Teacher and Pupil, 6. Concert Activity, 7. In Conclusion, Index

The Art of Piano Playing

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    £17.95

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    Order before 4pm tomorrow for delivery by Wed 29 Jul 2026.

    A Paperback / softback by Heinrich Neuhaus, K.A. Leibovitch

    15 in stock

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      View other formats and editions of The Art of Piano Playing by Heinrich Neuhaus

      Publisher: Kahn & Averill
      Publication Date: Publication Date: 03/01/1998
      ISBN13: 9781871082456, 978-1871082456
      ISBN10: 1871082455

      Description

      Book Synopsis
      Neuhaus taught at the Moscow Conservatory and his pupils included some of the greatest pianists of the twentieth century: Emil Gilels, Sviatoslav Richter, Nina Svetlanova, Alexei Lubimov and Radu Lupu. His legacy continues today and many teachers around the world regard this book as the most authoritative on the subject of piano playing.

      Trade Review
      ‘This book is arguably the best single book on piano playing, which it discusses in every aspect from the physical to the philosophical. It is a mine of information and anecdote, and no serious pianist should be without it on their bookshelf.’ Graham Fitch – practisingthepiano.com; ‘I can unreservedly recommend this book. It contains not a single wrong or questionable remark, and is eminently practical. Three or four lines of print might suddenly open the eyes of this or that pupil, and change his whole career for the better ... in sum, a must.’ Paul Hamburger; ‘Heinrich Neuhaus’ … legacy continues today – through his pupils, his grand-pupils, great-grand pupils, and through the many teachers around the world who regard his book as the most authoritative on the subject of piano playing.’ Francis Wilson – crosseyedpianist.com; ‘I have come to the conclusion that The Art of Piano Playing by Heinrich Neuhaus is essential reading for pianists. I highly recommend getting hold of this book and taking the time to read it carefully. Don’t be afraid to take notes! Many of Neuhaus’ perspectives really opened my eyes.’ Tommy Doyle – tommyspianocorner.com

      Table of Contents
      Introduction, Preface to Second Edition, In Lieu of a Preface, 1. The Artistic Image of a Musical Composition, 2. A Word or Two about Rhythm, 3. On Tone, 4. On Technique, 4.1 General Considerations, 4.2 Confidence as a Basis for Freedom, 4.3 The Locomotor System, 4.4 On Freedom, 4.5 On Fingering, 4.6 The Pedal, 5. Teacher and Pupil, 6. Concert Activity, 7. In Conclusion, Index

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