Description
Book SynopsisNeuhaus taught at the Moscow Conservatory and his pupils included some of the greatest pianists of the twentieth century: Emil Gilels, Sviatoslav Richter, Nina Svetlanova, Alexei Lubimov and Radu Lupu. His legacy continues today and many teachers around the world regard this book as the most authoritative on the subject of piano playing.
Trade Review‘This book is arguably the best single book on piano playing, which it discusses in every aspect from the physical to the philosophical. It is a mine of information and anecdote, and no serious pianist should be without it on their bookshelf.’ Graham Fitch – practisingthepiano.com; ‘I can unreservedly recommend this book. It contains not a single wrong or questionable remark, and is eminently practical. Three or four lines of print might suddenly open the eyes of this or that pupil, and change his whole career for the better ... in sum, a must.’ Paul Hamburger; ‘Heinrich Neuhaus’ … legacy continues today – through his pupils, his grand-pupils, great-grand pupils, and through the many teachers around the world who regard his book as the most authoritative on the subject of piano playing.’ Francis Wilson – crosseyedpianist.com; ‘I have come to the conclusion that The Art of Piano Playing by Heinrich Neuhaus is essential reading for pianists. I highly recommend getting hold of this book and taking the time to read it carefully. Don’t be afraid to take notes! Many of Neuhaus’ perspectives really opened my eyes.’ Tommy Doyle – tommyspianocorner.com
Table of ContentsIntroduction, Preface to Second Edition, In Lieu of a Preface, 1. The Artistic Image of a Musical Composition, 2. A Word or Two about Rhythm, 3. On Tone, 4. On Technique, 4.1 General Considerations, 4.2 Confidence as a Basis for Freedom, 4.3 The Locomotor System, 4.4 On Freedom, 4.5 On Fingering, 4.6 The Pedal, 5. Teacher and Pupil, 6. Concert Activity, 7. In Conclusion, Index