Description

An introduction to the mysterious theater role of a dramaturg by a legend in the field

“This book is marvelous. . . . Fascinating. . . . An absolute joy to read.”—Gil Roth, Virtual Memories podcast

Anne Cattaneo was among the first Americans to fill the role of dramaturg, one of theater’s best kept secrets. A combination of theater artist, scholar, researcher, play advocate, editor, and writer’s friend, it is the job of a dramaturg to “reflect light back on the elements that are already in play,” while bringing a work of theater to life. Cattaneo traces the field from its beginnings in the eighteenth century to the present and chronicles the multitude and variety of tasks a dramaturg undertakes before, during, and after a production is brought to the stage. Using detailed stories from her work with theater artists such as Tom Stoppard, Wendy Wasserstein, Robert Wilson, Shi-Zheng Chen, and Sarah Ruhl, as well as the discovery of a “lost” play by Langston Hughes and Zora Neale Hurston, Cattaneo provides an invaluable manual to those studying, working in, and interested in this most fascinating profession.

The Art of Dramaturgy

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Hardback by Anne Cattaneo

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An introduction to the mysterious theater role of a dramaturg by a legend in the field“This book is marvelous. .... Read more

    Publisher: Yale University Press
    Publication Date: 09/11/2021
    ISBN13: 9780300233698, 978-0300233698
    ISBN10: 0300233698

    Number of Pages: 336

    Non Fiction , Dictionaries, Reference & Language

    Description

    An introduction to the mysterious theater role of a dramaturg by a legend in the field

    “This book is marvelous. . . . Fascinating. . . . An absolute joy to read.”—Gil Roth, Virtual Memories podcast

    Anne Cattaneo was among the first Americans to fill the role of dramaturg, one of theater’s best kept secrets. A combination of theater artist, scholar, researcher, play advocate, editor, and writer’s friend, it is the job of a dramaturg to “reflect light back on the elements that are already in play,” while bringing a work of theater to life. Cattaneo traces the field from its beginnings in the eighteenth century to the present and chronicles the multitude and variety of tasks a dramaturg undertakes before, during, and after a production is brought to the stage. Using detailed stories from her work with theater artists such as Tom Stoppard, Wendy Wasserstein, Robert Wilson, Shi-Zheng Chen, and Sarah Ruhl, as well as the discovery of a “lost” play by Langston Hughes and Zora Neale Hurston, Cattaneo provides an invaluable manual to those studying, working in, and interested in this most fascinating profession.

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