Description

Book Synopsis

This classic edition of Mike Fleming's The Art of Drama Teaching provides a multitude of practical ideas for teachers of drama and for those who are interested in using drama to teach other subjects. It takes the form of detailed discussion of twenty-five drama techniques including but not limited to:

  • beginnings and endings
  • monologue and narration
  • off-stage action and reported action
  • mime
  • irony
  • time shifts
  • minor characters

Each technique, topic or convention is illustrated by a carefully chosen extract from a play and accompanied by a commentary and practical examples of lesson tasks.

This book not only demonstrates drama as an art form and provides ready-to-use material for drama teachers, but highlights how dramatic techniques can be used to inform classroom teaching and develop teacher practice. Featuring a brand new preface by the author to contextualise the book within th

Table of Contents

Introduction to the Classic Edition Acknowledgements Introduction 1. Alternative Perspective (Priestley, An Inspector Calls) 2. Analogy (Brecht, Galileo) 3. Beginnings (Chekhov, Three Sisters) 4. Counterpoint (O'Casey, The Plough and The Stars) 5. Endings (Wertenbaker, Our Country's Good) 6. Exposition (Ibsen, Hedda Gabler) 7. Externalising Inner Conflict (Marlowe, Dr Faustus) 8. False Identity (Rattigan, Separate Tables; Shakespeare, Othello) 9. Framing Action (Miller, The Crucible) 10. Incongruity (Churchill, Top Girls) 11. Irony (Shakespeare, Macbeth) 12. Mime (Shaffer, The Royal Hunt of the Sun) 13. Minimal Context (Beckett, Waiting for Godot) 14. Minor Characters (Stoppard, Rosencrantz and Guildenstern are Dead) 15. Monologue (Bennett, A Chip in the Sugar) 16. Narration (Bolt, A Man for all Seasons) 17. Object Focus (Galsworthy, The Silver Box; Wilde, Lady Windermere's Fan; Shakespeare, Othello) 18. Off-Stage Action (Ayckbourn, Absurd Person Singular) 19. Pause (Pinter, Betrayal) 20. Play Within A Play (Shakespeare, A Midsummer Night's Dream) 21. Reported Action (Sophocles, Oedipus) 22. Ritual (Yeats, On Baile's Strand) 23. Time Shift (Miller, Death of a Salesman) 24. Unspoken Thoughts (Friel, Philadelphia, Here I Come) 25. Voices (Shaffer, Amadeus; Thomas, Under Milk Wood; Shakespeare, King Richard III; Eliot, Murder in the Cathedral)

The Art Of Drama Teaching

    Product form

    £34.99

    Includes FREE delivery

    Order before 4pm tomorrow for delivery by Wed 1 Jul 2026.

    A Paperback by Mike Fleming

    15 in stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of The Art Of Drama Teaching by Mike Fleming

      Publisher: Taylor & Francis Ltd
      Publication Date: 11/1/2018 12:00:00 AM
      ISBN13: 9781138388321, 978-1138388321
      ISBN10: 1138388327
      Also in:
      Teacher training

      Description

      Book Synopsis

      This classic edition of Mike Fleming's The Art of Drama Teaching provides a multitude of practical ideas for teachers of drama and for those who are interested in using drama to teach other subjects. It takes the form of detailed discussion of twenty-five drama techniques including but not limited to:

      • beginnings and endings
      • monologue and narration
      • off-stage action and reported action
      • mime
      • irony
      • time shifts
      • minor characters

      Each technique, topic or convention is illustrated by a carefully chosen extract from a play and accompanied by a commentary and practical examples of lesson tasks.

      This book not only demonstrates drama as an art form and provides ready-to-use material for drama teachers, but highlights how dramatic techniques can be used to inform classroom teaching and develop teacher practice. Featuring a brand new preface by the author to contextualise the book within th

      Table of Contents

      Introduction to the Classic Edition Acknowledgements Introduction 1. Alternative Perspective (Priestley, An Inspector Calls) 2. Analogy (Brecht, Galileo) 3. Beginnings (Chekhov, Three Sisters) 4. Counterpoint (O'Casey, The Plough and The Stars) 5. Endings (Wertenbaker, Our Country's Good) 6. Exposition (Ibsen, Hedda Gabler) 7. Externalising Inner Conflict (Marlowe, Dr Faustus) 8. False Identity (Rattigan, Separate Tables; Shakespeare, Othello) 9. Framing Action (Miller, The Crucible) 10. Incongruity (Churchill, Top Girls) 11. Irony (Shakespeare, Macbeth) 12. Mime (Shaffer, The Royal Hunt of the Sun) 13. Minimal Context (Beckett, Waiting for Godot) 14. Minor Characters (Stoppard, Rosencrantz and Guildenstern are Dead) 15. Monologue (Bennett, A Chip in the Sugar) 16. Narration (Bolt, A Man for all Seasons) 17. Object Focus (Galsworthy, The Silver Box; Wilde, Lady Windermere's Fan; Shakespeare, Othello) 18. Off-Stage Action (Ayckbourn, Absurd Person Singular) 19. Pause (Pinter, Betrayal) 20. Play Within A Play (Shakespeare, A Midsummer Night's Dream) 21. Reported Action (Sophocles, Oedipus) 22. Ritual (Yeats, On Baile's Strand) 23. Time Shift (Miller, Death of a Salesman) 24. Unspoken Thoughts (Friel, Philadelphia, Here I Come) 25. Voices (Shaffer, Amadeus; Thomas, Under Milk Wood; Shakespeare, King Richard III; Eliot, Murder in the Cathedral)

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account